An enlightening gallery of spirited essays.
Perceptive observations on American culture.
Sloan, author of The Fluency of Light, gathers 13 essays, written from 2016 to 2020, that range from meditations on the arts to incisive reflections on race. She brings to her writing a lively curiosity and multifaceted identity: She is biracial (Black father, white mother); queer, married, and undergoing in vitro fertilization; an academic who teaches literature and creative writing; and an artist well versed in the work of contemporary painters, such as David Hockney, Richard Diebenkorn, and Jean-Michel Basquiat, all of whom figure in her essays, often in unexpected ways. Place figures importantly, too: Sloan grew up in Los Angeles, two blocks from where Nicole Brown Simpson was murdered. The neighborhood, she remembers, “acted toward my father and me as though we wandered into the place by accident.” L.A. is also the setting for an essay connecting the beating of Rodney King, and the riots that ensued, with Hockney’s paintings at the Los Angeles County Museum of Art. Sloan chronicles her visit to Detroit, where her parents moved, and which they portrayed as “a city more laced with wonder than desolation” and “the birthplace of gallerists and world-famous choreographers and raucous family dinners.” Despite the chaos and poverty Sloan observed, she loves the city for its “sense of possibility and kindness,” a love not diminished when she went on a tense ride-along with her cousin, a police officer. A trip to New England with students uncovered evidence of slavery, including at Harvard, where a portrait of donors to the college bears “a placard that says, in essence, ‘We got what we have because we stole and we raped and we murdered.’ ” Police brutality, lucid dreaming, the poetry of Galway Kinnell, and Basquiat’s obsession with the book Gray’s Anatomy all cohere in pieces notable for surprising and revealing juxtapositions.
An enlightening gallery of spirited essays.Pub Date: Feb. 20, 2024
ISBN: 9781644452714
Page Count: 160
Publisher: Graywolf
Review Posted Online: Oct. 13, 2023
Kirkus Reviews Issue: Nov. 15, 2023
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
An ebullient nature lover’s paean to birds.
A charming bird journey with the bestselling author.
In his introduction to Tan’s “nature journal,” David Allen Sibley, the acclaimed ornithologist, nails the spirit of this book: a “collection of delightfully quirky, thoughtful, and personal observations of birds in sketches and words.” For years, Tan has looked out on her California backyard “paradise”—oaks, periwinkle vines, birch, Japanese maple, fuchsia shrubs—observing more than 60 species of birds, and she fashions her findings into delightful and approachable journal excerpts, accompanied by her gorgeous color sketches. As the entries—“a record of my life”—move along, the author becomes more adept at identifying and capturing them with words and pencils. Her first entry is September 16, 2017: Shortly after putting up hummingbird feeders, one of the tiny, delicate creatures landed on her hand and fed. “We have a relationship,” she writes. “I am in love.” By August 2018, her backyard “has become a menagerie of fledglings…all learning to fly.” Day by day, she has continued to learn more about the birds, their activities, and how she should relate to them; she also admits mistakes when they occur. In December 2018, she was excited to observe a Townsend’s Warbler—“Omigod! It’s looking at me. Displeased expression.” Battling pesky squirrels, Tan deployed Hot Pepper Suet to keep them away, and she deterred crows by hanging a fake one upside down. The author also declared war on outdoor cats when she learned they kill more than 1 billion birds per year. In May 2019, she notes that she spends $250 per month on beetle larvae. In June 2019, she confesses “spending more hours a day staring at birds than writing. How can I not?” Her last entry, on December 15, 2022, celebrates when an eating bird pauses, “looks and acknowledges I am there.”
An ebullient nature lover’s paean to birds.Pub Date: April 23, 2024
ISBN: 9780593536131
Page Count: 320
Publisher: Knopf
Review Posted Online: Jan. 19, 2024
Kirkus Reviews Issue: Feb. 15, 2024
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
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