A well-constructed life of a man who, largely forgotten, deserves pride of place in civil rights history.
Sturdy biography of a Black journalist, writer, and reformer who moved easily, if sometimes stealthily, between two worlds.
Walter Francis White (1893-1955) was born in Atlanta to light-skinned Black parents whose multiracial heritage spoke to the complex genealogies of the Old South. “My skin is white, my eyes are blue, my hair is blond,” White would later write. “The traits of my race are nowhere visible upon me.” The absence of those traits allowed White and his family to survive the waves of lynchings that plagued the South. In his early 20s, he moved to New York, where he worked as an investigator and sometime journalist, often returning to the South posing as a White man to examine racially motivated murder cases. Baime ably depicts White’s lifelong Zelig-like abilities: He was at some of the signal events of his time, taking his place at the lead of the Harlem Renaissance, doing gumshoe work in the immediate aftermath of the Tulsa Massacre, weathering the Red Scare, and accumulating scores of friends. The author brings us directly into White’s fascinating world, in which Langston Hughes and Paul Robeson were frequent guests at salons White held in Harlem, while “George Gershwin debuted Rhapsody in Blue on Walter’s piano.” Active in civil rights as a leader in the NAACP, White pressed Franklin Roosevelt to support activist legislation to advance Black causes, which Roosevelt did not do willingly, fearful that “he would offend a power base of his own party, the Democrats’ Solid South.” Fortunately, Eleanor Roosevelt reached out to express her support, trying to persuade her husband to do the right thing—and adding another friend to White’s long list. He died too young, and he was almost immediately pushed into the back ranks of the civil rights movement, although he was the primary architect of an anti-lynching bill that has yet to clear the Senate, thanks to the opposition of Rand Paul.
A well-constructed life of a man who, largely forgotten, deserves pride of place in civil rights history.Pub Date: Feb. 8, 2022
ISBN: 978-0-358-44775-7
Page Count: 400
Publisher: Mariner Books
Review Posted Online: Dec. 14, 2021
Kirkus Reviews Issue: Jan. 1, 2022
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
An engrossing and ominous chronicle, told by a master of the form.
Documenting perilous times.
In his most recent behind-the-scenes account of political power and how it is wielded, Woodward synthesizes several narrative strands, from the Jan. 6, 2021, insurrection and Hamas’ Oct. 7, 2023, attack on Israel to the 2024 presidential campaign. Woodward’s clear, gripping storytelling benefits from his legendary access to prominent figures and a structure of propulsive chapters. The run-up to Russia’s invasion of Ukraine is tense (if occasionally repetitive), as a cast of geopolitical insiders try to divine Vladimir Putin’s intent: “Doubt among allies, the public and among Ukrainians meant valuable time and space for Putin to maneuver.” Against this backdrop, U.S. Sen. Lindsey Graham implores Donald Trump to run again, notwithstanding the former president’s denial of his 2020 defeat. This provides unwelcome distraction for President Biden, portrayed as a thoughtful, compassionate lifetime politico who could not outrace time, as demonstrated in the June 2024 debate. Throughout, Trump’s prevarications and his supporters’ cynicism provide an unsettling counterpoint to warnings provided by everyone from former Joint Chief of Staff Mark Milley to Vice President Kamala Harris, who calls a second Trump term a likely “death knell for American democracy.” The author’s ambitious scope shows him at the top of his capabilities. He concludes with these unsettling words: “Based on my reporting, Trump’s language and conduct has at times presented risks to national security—both during his presidency and afterward.”
An engrossing and ominous chronicle, told by a master of the form.Pub Date: Oct. 15, 2024
ISBN: 9781668052273
Page Count: 448
Publisher: Simon & Schuster
Review Posted Online: Oct. 15, 2024
Kirkus Reviews Issue: Dec. 15, 2024
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