A finely wrought portrait of a small-town family in distress.
In Saxsma’s novel, family members locked in private struggles flounder in denial and dissatisfaction.
Lloyd Wood, father of Toby and husband to Dawn, struggles with a failing restaurant business and is fighting the pressure to sell out and leave. Lloyd, while keeping money matters private from his family and ridiculing them to promote thriftiness, opts to maintain a brave face rather than share his financial difficulties with anyone. Dawn, feeling cut off from her husband and son (“In those walls, they were satellites, the three of them. They orbited one another but did not speak, did not interact, but passed each other, feeding information to everyone else, never to each other”) is deemed “lost” by her best friend, Kitty. After she sees a mysterious angel hovering over her farmland, Dawn becomes entangled in a religious cult and is expected to give them time and money she can’t afford. Toby resists his budding gay sexuality and attends therapeutic seminars to reverse it. In these linked stories, the author explores what can happen to the most vulnerable souls in our world and the great measures people will go to survive, make a buck, or remain covert in the face of adversity. The narrative strands are well plotted, with each story leading the way to the next perspective while still culminating in memorably climactic moments. While the characters are vividly rendered, the dialogue is sometimes excessively protracted and repetitive. Saxsma’s prose is rich in sensory detail, enriching the characterizations of the cast (Lloyd has “a stone-sour look and a sweat-stained ball cap atop his head”; Dawn’s “eyes were heavy, and her body was in ache. She smelled of the hard physical day”). The magical realism elements are used effectively and the storytelling is strong, but the heartbreaking ending leaves readers with little sense of hope—it’s hard not to want more for these characters.
A finely wrought portrait of a small-town family in distress.Pub Date: Jan. 23, 2024
ISBN: N/A
Page Count: 431
Publisher: Self
Review Posted Online: Jan. 19, 2024
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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