A finely wrought portrait of a small-town family in distress.
In Saxsma’s novel, family members locked in private struggles flounder in denial and dissatisfaction.
Lloyd Wood, father of Toby and husband to Dawn, struggles with a failing restaurant business and is fighting the pressure to sell out and leave. Lloyd, while keeping money matters private from his family and ridiculing them to promote thriftiness, opts to maintain a brave face rather than share his financial difficulties with anyone. Dawn, feeling cut off from her husband and son (“In those walls, they were satellites, the three of them. They orbited one another but did not speak, did not interact, but passed each other, feeding information to everyone else, never to each other”) is deemed “lost” by her best friend, Kitty. After she sees a mysterious angel hovering over her farmland, Dawn becomes entangled in a religious cult and is expected to give them time and money she can’t afford. Toby resists his budding gay sexuality and attends therapeutic seminars to reverse it. In these linked stories, the author explores what can happen to the most vulnerable souls in our world and the great measures people will go to survive, make a buck, or remain covert in the face of adversity. The narrative strands are well plotted, with each story leading the way to the next perspective while still culminating in memorably climactic moments. While the characters are vividly rendered, the dialogue is sometimes excessively protracted and repetitive. Saxsma’s prose is rich in sensory detail, enriching the characterizations of the cast (Lloyd has “a stone-sour look and a sweat-stained ball cap atop his head”; Dawn’s “eyes were heavy, and her body was in ache. She smelled of the hard physical day”). The magical realism elements are used effectively and the storytelling is strong, but the heartbreaking ending leaves readers with little sense of hope—it’s hard not to want more for these characters.
A finely wrought portrait of a small-town family in distress.Pub Date: Jan. 23, 2024
ISBN: N/A
Page Count: 431
Publisher: Self
Review Posted Online: Jan. 19, 2024
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
Simply charming.
A lovable gaggle of competitive quilters attempts to defy the odds.
The ladies of the Ogden Quilters Association are gearing up for another Simpton Family Quilting Extravaganza, and this year’s nationwide competition is extra special: It’s taking place just an hour away in Smithfield, Utah. For Betty Lou Dearden, OQA’s leader and most faithful member, who never misses a Wednesday quilting night and delights in reading the bylaws, this is a dream come true—a chance to put Utah quilting on the map. But beneath her bubbly surface, Betty Lou is struggling—longtime member Leera Smeeth has been passive aggressively shooting down Betty Lou’s ideas and attacking her sense of self for years (see: a particularly biting comment about her beloved peach bathroom); her children rarely visit; and her husband’s health is declining. And to top it off, OQA is down a member since Terry Blackfoot left following the oft-referenced but never explained “needle incident.” OQA’s remaining members—flighty but lovable Lucy Jones; dependable Diane Williams and her roommate, Alice Flagstaff; and innovative Candace Braithwaite—need more support. Enter Byron Grant, a gay sewing store manager who deals in rumor and gossip as much as in thread and batting, and his best friend, shy, artistic Rob, both younger than the youngest OQA member by about 30 years. Don’t worry, there’s nothing in the bylaws expressly prohibiting men. And so this quirky group of artisans attempts to dethrone the always-winning, clearly evil Logan Quilters Society (“We don’t hate anyone!...We just don’t prefer to associate with cheaters”), all the while wrestling with interpersonal conflict, trauma, and, let’s face it, a few tacky ideas. The plot is silly and largely predictable, but McCann’s prose is bursting at the seams with humor and genuinely tender, touching moments. You’ll root for these misfits from Page 1.
Simply charming.Pub Date: Sept. 8, 2026
ISBN: 9798890920461
Page Count: 260
Publisher: Torrey House Press
Review Posted Online: July 20, 2026
Kirkus Reviews Issue: Aug. 15, 2026
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
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