MORPHOSIS

A gay couple and their two children move into a new home in a small, run-down town in Saxsma’s eerie thriller.

Dwayne and Ollie pack up their lives and take up residence in a house in the small town of Larton with Ollie’s two kids, teenage Jodi Lee and 5-year-old Sam. The author gives a long, cinematic description of the house, the crumbling town, and untended fields in the novel’s opening that sets an ominous tone. It’s 1987, and Dwayne suffers from an unnamed illness (all signs point to HIV). As the reader develops concern for Dwayne (who also struggles to impress Ollie’s kids), Ollie joins the sheriff’s department, where the community’s seedy underbelly is exposed: There’s a serial killer on the loose, called “The Visitor,” and catching the man becomes Ollie’s new unhealthy obsession. Meanwhile, Jodi befriends Beverly, whose conservative, religious family attends services where they chant that God “hates them and loves us.” It’s clear that gay men like Ollie and Dwayne are the target of this religious hatred, and Dwayne faces unsettling instances of bigotry throughout the novel, culminating in one deeply disturbing moment of violence. The depiction of small-town and evangelical closed-mindedness is hardly new, and the actions they inspire might be read by some as gratuitous. In the context of the 1980s setting and the established atmosphere of the book, however, every element feels of a piece. What’s more original is the breakdown of a same-sex relationship, which crescendos in a deft and momentous final act in which all the threads of the story finally come together. And that ending—perfection.

Evil lies beneath the surface in this gripping tale of bigotry and religious orthodoxy.