by Akhil Reed Amar & Alan Hirsch ‧ RELEASE DATE: Feb. 1, 1998
A strange sight, indeed: Popular sovereignty is taken seriously in a discussion of the Constitution. In this populist interpretation of the Constitution, Amar (Law/Yale) and Hirsch (a freelance writer and graduate of Yale Law School) insist that ``we the people'' denotes a collective entity, not a collection of individuals. They contend that viewing the Constitution ``through the prism of the individual'' has overemphasized the majority-rule/minority-rights debate and has been reinforced by the tendency to dissect discrete passages rather than interpret the document as a whole. We have come to assume that ``rights'' refers to individual rights, ignoring the politically more fundamental conception of rights held by the public as a whole. Amar and Hirsch respond to this deficiency by exploring the implications of a broad reading (not to be confused with loose construction) of the Constitution regarding constitutional amendment, juries, and the military. In this volume's most controversial argument, the authors maintain that the specific procedures for amendment outlined in the Constitution do not preclude direct amendment by majority vote of the populace. The logic is inescapably democratic: If popular sovereignty is meaningful, how could the people be deprived of the right to amend the Constitution? Similarly, Amar and Hirsch find inalienable rights applicable to juries and the military, with straightforward implications. Peremptory challenges eliminating a candidate from jury service, for example, are not consistent with either the citizen's right to serve or the public's right to try the accused. Access to military service is no less a citizen's right or a public concern, consequently the authors argue that blocking the entry of gays or women into the ranks is indefensibleif the rights of ``we the people'' are truly paramount. Consistent and contentious throughout, Amar and Hirsch offer an analysis that should threaten both liberals and conservatives with a commitment to popular sovereignty both like to avoid.
Pub Date: Feb. 1, 1998
ISBN: 0-684-82694-1
Page Count: 304
Publisher: Free Press
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 1998
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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developed by Ludwig Bemelmans ; illustrated by Steven Salerno
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by Ludwig Bemelmans ; illustrated by Steven Salerno
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