by Akhil Sharma ‧ RELEASE DATE: July 11, 2017
Filled with a strong sense of the odds against any kind of happiness, these stories have a psychological acuity that redeems...
Neither adventure nor delight await the characters of this ironically titled collection.
The first line of the title story sets the scene: “The side door of the police van slid open, rattling, and he was shoved inside.” Gautama has been arrested for hiring a prostitute; “like many foreign students in America who are living away from home for the first time,” he quickly gravitated to the illicit joys offered on the internet. After his brush with the law, he begins dating another Indian grad student. When his parents reject his choice, he ends up back on Craigslist. “Adventure and delight”? Hmmmm. An apter phrase might be “bad luck and isolation,” and that is the real throughline in this collection of stories. In “Cosmopolitan,” an Indian man who has been abandoned by his wife and daughter begins an affair with his neighbor Mrs. Shaw after she stops by to borrow a lawn mower. Despite his assiduous study of women’s magazines, Mrs. Shaw remains a mystery. He also attempts to win some friends in the Indian expat community by memorizing a book called 1,001 Polish Jokes and changing the Poles to Sikhs. It doesn't work. The narrator of “If You Sing Like That for Me” experiences love in her arranged marriage only once, for just a few hours. (Once you’ve met her husband, you’ll sympathize.) “You Are Happy?” is the story of a boy who is miserable—his mother is an alcoholic who is eventually sent to India to be murdered by her own family. In “A Heart Is Such a Heavy Thing,” the protagonist’s 12-year-old brother threatens to hang himself on the day of the nuptials. “If you want to stop the wedding, remember to kill yourself before, not after, we are married,” advises the groom-to-be. A short story which seems to have been the origin of Sharma’s breakout novel (Family Life, 2014)—same names, same swimming accident, same brain-dead brother—is included as well.
Filled with a strong sense of the odds against any kind of happiness, these stories have a psychological acuity that redeems their dark worldview.Pub Date: July 11, 2017
ISBN: 978-0-393-28534-5
Page Count: 192
Publisher: Norton
Review Posted Online: March 6, 2017
Kirkus Reviews Issue: March 15, 2017
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by Genki Kawamura ; translated by Eric Selland ‧ RELEASE DATE: March 12, 2019
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
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by Donna Tartt ‧ RELEASE DATE: Sept. 16, 1992
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
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