A breezy seasonal storytime choice, though the art carries most of the weight—and does so delightfully.
Sixteen tiny tots march through the four seasons, finding much to do in the varied weather.
The beginning immediately recalls Madeline—the yellow slickers, slim black sketching, and even two straight lines. However, there isn’t a smallest among this group to steal the show; all 16 multiracial gals (though more have pale skin than not) share the spotlight equally. The first season they explore is summer. Following the lively rhymes (“A big, bright sun. / Let’s have some fun! / We swim and dive and splash and run”) the girls teeter on the edges of a diving board and snap to formation for a water-ballet routine. Fall has them marching through the city, leaping in leaf piles, and reaching up high for apples. Winter highlights Aki’s willingness to play with perspective: the girls peer up into the falling snow, mouths open to catch the flakes, while readers look down on them from above. Spring is full of requisite flowers, and it also brings a final weather feat that never ceases to amaze. Two final pages include a small amount of background information on the seasons (accurate to temperate climates).
A breezy seasonal storytime choice, though the art carries most of the weight—and does so delightfully. (Picture book. 3-6)Pub Date: March 6, 2018
ISBN: 978-1-62779-620-0
Page Count: 32
Publisher: Godwin Books
Review Posted Online: Feb. 2, 2018
Kirkus Reviews Issue: Feb. 15, 2018
A successful swap from coconut tree to Christmas tree.
A Christmas edition of the beloved alphabet book.
The story starts off nearly identically to Chicka Chicka Boom Boom (1989), written by John Archambault and the late Bill Martin Jr, with the letters A, B, and C deciding to meet in the branches of a tree. This time, they’re attempting to scale a Christmas tree, not a coconut tree, and the letters are strung together like garland. A, B, and C are joined by the other letters, and of course they all “slip, slop, topple, plop!” right down the tree. At the bottom, they discover an assortment of gifts, all in a variety of shapes. As a team, the letters and presents organize themselves to get back up on the Christmas tree and get a star to the top. Holiday iterations of favorite tales often fall flat, but this take succeeds. The gifts are an easy way to reinforce another preschool concept—shapes—and the text uses just enough of the original to be familiar. The rhyming works, sticking to the cadence of the source material. The illustrations pay homage to the late Lois Ehlert’s, featuring the same bold block letters, though they lack some of the whimsy and personality of the original. Otherwise, everything is similarly brightly colored and simply drawn. Those familiar with the classic will be drawn to this one, but newcomers can enjoy it on its own.
A successful swap from coconut tree to Christmas tree. (Picture book. 3-5)Pub Date: Oct. 1, 2024
ISBN: 9781665954761
Page Count: 40
Publisher: Beach Lane/Simon & Schuster
Review Posted Online: July 4, 2024
Kirkus Reviews Issue: Aug. 1, 2024
BOOK REVIEW
Fun enough to read once but without enough substance to last.
Familiar crayon characters argue over which color is the essential Christmas color.
Green starts by saying that green is for Christmas. After all, green is for holly. But Red objects. Red is for candy canes. Green is for fir trees, Green retorts. But Red is for Santa Claus, who agrees. (Santa is depicted as a white-bearded White man.) Then White joins the fray. After spending the year being invisible, White isn’t giving up the distinction of association with Christmas. Snow, anyone? But then there’s Silver: stars and bells. And Brown: cookies and reindeer! At this point, everyone is confused. But they come together and agree that Christmas wouldn’t be Christmas without all of them together. Someone may get the last word, though. In Daywalt and Jeffers’ now-signature style, the crayon-written text is spare and humorous, while the crayon characters engage with each other against a bare white background, vying for attention. Dot-eyed faces and stick legs on each object turn them all into comical, if similar, personalities. But the series’ original cleverness is absent here, leaving readers with a perfunctory recitation of attributes. Fans of the crayon books may delight in another themed installment; those who aren’t already fans will likely find it lacking. (This book was reviewed digitally.)
Fun enough to read once but without enough substance to last. (Picture book. 3-6)Pub Date: Oct. 19, 2021
ISBN: 978-0-593-35338-7
Page Count: 32
Publisher: Philomel
Review Posted Online: Aug. 17, 2021
Kirkus Reviews Issue: Sept. 1, 2021
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