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THE HIRSCHFELD CENTURY

Name: THE HIRSCHFELD CENTURY
Author: Al Hirschfeld
ISBN: 978-1-101-87497-4

PORTRAIT OF AN ARTIST AND HIS AGE

by Al Hirschfeld edited by David Leopold ‧ RELEASE DATE: July 8, 2015

An intelligent, carefully representative look at Hirschfeld’s work that ably shows why the artist deserves to be remembered...

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A richly illustrated study of the artist who richly illustrated publications, marquees, and other venues for eight decades.

Al Hirschfeld (1903-2003) was, in the words of museum curator Leopold, “a visual journalist who ‘reported’ what he saw, with no interest in picking winners or losers, but looking for character whether it was expressed in word, music, or movement, which he would then translate into his signature line.” That signature line, swooping and evocative, could not be mistaken for the hand of any other, and so influential was Hirschfeld that, in Leopold’s witty assessment, after he drew the Marx Brothers, the troupe “started to look more like Al’s drawings, rather than the other way around.” A favorite of Franklin Roosevelt and Frank Sinatra alike, Hirschfeld lampooned and japed, and though he tried his hand at serious work—some of his early pieces on display here resemble Chagall, while others clearly borrow from Gauguin and perhaps less clearly from Covarrubias—it is his whimsical show-business portfolio for which he is best remembered, and particularly his broad-stroke portraits of Laurel and Hardy, Milton Berle, and other stars of a bygone era. (Yet he kept himself current: two of Hirschfeld’s final portraits portrayed Grateful Dead guitarist Jerry Garcia and comedian Jerry Seinfeld.) As Leopold notes in this critical but by no means arid study of the art, Hirschfeld was extraordinarily prolific, completing more than 10,000 pieces over a long life. He was a “Zelig-like character in a good bit of cultural history of the twentieth century.” He was good-natured about it, too, joking that he supported the capitalist system as a machine “so sloppily and benevolently conceived that even I could wind up owning a house.”

An intelligent, carefully representative look at Hirschfeld’s work that ably shows why the artist deserves to be remembered today.

Pub Date: July 8, 2015

ISBN: 978-1-101-87497-4

Page Count: 336

Publisher: Knopf

Review Posted Online: April 28, 2015

Kirkus Reviews Issue: May 15, 2015

Categories:

BIOGRAPHY & MEMOIR | ART & PHOTOGRAPHY | GENERAL BIOGRAPHY & MEMOIR

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THE PURSUIT OF HAPPYNESS

FROM MEAN STREETS TO WALL STREET

by Chris Gardner with Quincy Troupe ‧ RELEASE DATE: June 1, 2006

Well-told and admonitory.

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Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.

Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.

Well-told and admonitory.

Pub Date: June 1, 2006

ISBN: 0-06-074486-3

Page Count: 320

Publisher: Amistad/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2006

Categories:

GENERAL BIOGRAPHY & MEMOIR | BIOGRAPHY & MEMOIR | BUSINESS

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NIGHT

by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

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Elie Wiesel spent his early years in a small Transylvanian town as one of four children.

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.