by Al Roker ‧ RELEASE DATE: Aug. 11, 2015
Roker's account will interest readers who previously knew nothing about the Galveston hurricane. However, Isaac's Storm is...
Today weather anchor Roker (Never Goin' Back: Winning the Weight Loss Battle for Good, 2012, etc.) recounts the hurricane that leveled Galveston, Texas, during September 1900, killing an estimated 10,000 people.
The narrative of the storm and its gruesome aftermath moves along briskly, but some readers may wonder why the author decided to devote his celebrity name and his time to an account that has been told better in Erik Larson's Isaac's Storm: A Man, a Time, and the Deadliest Hurricane in History (1999) and John Edward Weems' A Weekend in September (1957). In his "Note on Further Reading," Roker acknowledges those two books as vital sources for his version of the historical record. He also states that his book is the first to use the oral histories collected in Izola Collins’ Island of Color (2004), “which preserves the history of Galveston’s African American community from Juneteenth to the post-segregation era.” How the oral histories collected by Collins fit into Roker’s narrative, however, is unclear. Roker’s accounts of the suffering of hundreds of individuals are, for the most part, compelling. Most are tragic, and some are uplifting. But they drift throughout the book, with little sense to the order in which they appear, disappear temporarily, and then reappear. Roker's weather-forecasting experience serves him well, and the narrative is strongest when he turns from the seemingly random minidramas of individuals to explain the forces of nature at play. The grimmest portion of the book, understandably, deals with how the Galveston residents who survived labored to bury the dead—first in the ocean, which proved difficult to accomplish, and then by cremation via open fires. The stench was pervasive and potentially deadly.
Roker's account will interest readers who previously knew nothing about the Galveston hurricane. However, Isaac's Storm is not out of date and deserves its place as the recommended version.Pub Date: Aug. 11, 2015
ISBN: 978-0-06-236465-4
Page Count: 320
Publisher: Morrow/HarperCollins
Review Posted Online: April 27, 2015
Kirkus Reviews Issue: May 15, 2015
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by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
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by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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