For all the sexual intrigue, Erneste seems a bit like a Camus character in a Thomas Mann setting.
This short, evocative novel combines a romantic melodrama of homosexual love and betrayal with deeper meditations on the passage of time, the essence of truth, the deception of desire and the inevitability of death.
Originally published in Germany in 2004, this is the first novel by the veteran Alsatian author to be translated into English. The “perfect waiter” of the title is Erneste, who has spent his life serving guests at a Swiss resort hotel after his sexuality estranged him from most of his family. With the approach of World War II, an irresistibly attractive young German named Jakob arrives to work at the hotel. Though Erneste has long kept the guests, his fellow employees, even life itself at what he considers an appropriate distance, he can’t keep his eyes off Jakob. And then his hands, though it isn’t until the more impetuous Jakob makes a reckless advance that Erneste becomes his lover as well as his roommate and mentor. The ambitious Jakob quickly joins Erneste in the dining room, where they are careful to keep their relationship secret. The narrative alternates between the mid-1930s, when the two began their seemingly insatiable relationship, and the mid-1960s, when Erneste hears for the first time in 30 years from Jakob, who had abandoned him almost as abruptly as he seduced him. The opportunistic Jakob had attracted a hotel guest, prosperous German novelist Julius Klinger. Two desperate letters from Jakob (now “Jack,” apparently on his own in New York) bring Erneste and Julius together. The extent of Jakob’s duplicity comes as a shock to the impeccably mannered, brokenhearted waiter. Had Jakob ever loved either man? Was sex simply bait or a bargaining chip for him? Did either of the men he seduced for his own advancement know Jakob at all, or had desire blinded them both?
For all the sexual intrigue, Erneste seems a bit like a Camus character in a Thomas Mann setting.Pub Date: April 1, 2008
ISBN: 978-1-59691-411-7
Page Count: 224
Publisher: Bloomsbury
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2008
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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