For all the sexual intrigue, Erneste seems a bit like a Camus character in a Thomas Mann setting.
This short, evocative novel combines a romantic melodrama of homosexual love and betrayal with deeper meditations on the passage of time, the essence of truth, the deception of desire and the inevitability of death.
Originally published in Germany in 2004, this is the first novel by the veteran Alsatian author to be translated into English. The “perfect waiter” of the title is Erneste, who has spent his life serving guests at a Swiss resort hotel after his sexuality estranged him from most of his family. With the approach of World War II, an irresistibly attractive young German named Jakob arrives to work at the hotel. Though Erneste has long kept the guests, his fellow employees, even life itself at what he considers an appropriate distance, he can’t keep his eyes off Jakob. And then his hands, though it isn’t until the more impetuous Jakob makes a reckless advance that Erneste becomes his lover as well as his roommate and mentor. The ambitious Jakob quickly joins Erneste in the dining room, where they are careful to keep their relationship secret. The narrative alternates between the mid-1930s, when the two began their seemingly insatiable relationship, and the mid-1960s, when Erneste hears for the first time in 30 years from Jakob, who had abandoned him almost as abruptly as he seduced him. The opportunistic Jakob had attracted a hotel guest, prosperous German novelist Julius Klinger. Two desperate letters from Jakob (now “Jack,” apparently on his own in New York) bring Erneste and Julius together. The extent of Jakob’s duplicity comes as a shock to the impeccably mannered, brokenhearted waiter. Had Jakob ever loved either man? Was sex simply bait or a bargaining chip for him? Did either of the men he seduced for his own advancement know Jakob at all, or had desire blinded them both?
For all the sexual intrigue, Erneste seems a bit like a Camus character in a Thomas Mann setting.Pub Date: April 1, 2008
ISBN: 978-1-59691-411-7
Page Count: 224
Publisher: Bloomsbury
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2008
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
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