If, as the Queen discovers, reading is “a muscle” that she has “seemingly developed,” this novella reads like light...
A royal fable celebrating the transformative properties (and a few of the unsettling consequences) of reading as an obsession.
In a country of commoners, the uncommon reader is the Queen. She has never been a reader, because reading isn’t something that “one” (as she invariably refers to herself) does. Yet an unlikely incident involving her dogs and a mobile library making its weekly appearance outside Buckingham Palace moves her to borrow a book. And then another. And another, until reading has become her life’s focus. Though the prolific Bennett is better known in America for his plays and screenplays (his Tony Award–winning play, The History Boys, was made into a movie in 2007), his subtle wit and tonal command show why he is so beloved in his native Britain. Yet this slight novella feels padded, because once he puts his plot into motion—the Queen reads, reading changes the Queen, others are uncomfortable with the changes—he doesn’t really have anywhere to take it except in circles, as it moves toward what might be a surprise ending. There are some funny bits: her questioning of the president of France about Jean Genet (of whom he hasn’t a clue) and the disdain she develops for the “perpetually irritating Henry James.” She also enjoys a lovely visit with one of her literary subjects, Alice Munro. Perhaps the keenest insight here concerns her difficulty with Jane Austen, whose novels pivot so frequently on class distinctions that the Queen herself has never experienced. Those who love reading will recognize the process of the Queen’s enrapturing, how one book inevitably leads to another, and so many others, and that the richness of the reading life will always be offset by the recognition that time grows shorter as the list of books grows longer. Yet this is ultimately a breezy afternoon’s read, one that doesn’t seem like it took all that much more effort to write.
If, as the Queen discovers, reading is “a muscle” that she has “seemingly developed,” this novella reads like light calisthenics rather than heavy lifting.Pub Date: Sept. 1, 2007
ISBN: 978-0-374-28096-3
Page Count: 128
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2007
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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