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WHY TIME FLIES

A MOSTLY SCIENTIFIC INVESTIGATION

A highly illuminating intellectual investigation.

An insightful meditation on the curious nature of time by New Yorker staff writer Burdick (Out of Eden: An Odyssey of Ecological Invasion, 2006).

As the author notes, his journey through this slippery subject began with his interest in the way time influences the functioning of our cells and cellular machinery rather than the “physical and mathematical aspects of time [that] continue to be debated by the great minds of cosmology.” He points to the contradiction between our search for precision in clocks and the reality that, by its very nature, our measurement of time is imprecise; it is a social construct rather than a measurable feature of reality as such. Not only does “no single clock, no single committee, no individual alone” regulate our unique, individual perception of time, but our individual internal clock is a collective activity of different regions of our brain. “Time is a social phenomenon,” writes Burdick, and we never directly perceive its passage. Because of this, we more easily develop an illusion of permanence that allows us to overlook long-term consequences of actions or inaction. Global warming is a case in point. Our failure to connect what the author calls “the world of temperature and the world of time” is particularly troubling—e.g., as it relates to the migration and breeding cycles of arctic birds. On a certain level, even our perception of an instant of time—the here and now—has become a social construct. The regulation of clock time was a local matter until the 19th century, when the development of commerce, industry, railroad, and telecommunications made a universal standard necessary. Burdick introduces another fascinating element into his meditation on our perception of the passage of time brought about by the advent of films. As he writes, “film and video have become the primary metaphor offered to explain, in popular terms, how the brain perceives time.”

A highly illuminating intellectual investigation.

Pub Date: Jan. 24, 2017

ISBN: 978-1-4165-4027-4

Page Count: 300

Publisher: Simon & Schuster

Review Posted Online: Dec. 2, 2016

Kirkus Reviews Issue: Dec. 15, 2016

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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