An entertaining and distinctive revenge tale.
In this debut action-thriller, a man’s ferocious search for his wife’s killer incites someone’s retaliation, putting him in grave danger.
When John Avery Malaki catches his wife, Elizabeth, in bed with his best friend, Bill, he demands they both leave the house. But the bad news keeps coming: A few days later, cops inform John that Elizabeth is dead from an apparent suicide. He’s skeptical, and the evidence agrees, eventually designating the death as murder and John as the prime suspect. But a taunting voice on his answering machine takes credit for Elizabeth’s homicide and suggests John lay low. He doesn’t comply and soon finds himself framed for another murder. John then goes on the offensive, turning the tables on and demanding answers from people suddenly trying to kill him. Using combat skills (the origins of which are unclear), he tracks down others who can direct him to Elizabeth’s murderer, with occasional help from a secret ally. It seems an organization with the acronym SOTE wants John dead, believing he’s learned too much during his corpse-riddled hunt for a killer. With both sides determined to mete out rage-fueled vengeance, the body count is bound to rise exponentially before it’s all over. Eaton’s book is rife with explicit sex scenes and violence. The sex is provocative, especially with consenting participants, but the action can be downright sadistic and lingers on the gory parts. There’s mystery as well, including murky backstories for John and Elizabeth. Though one twist is revealed early (perspective from a revenge-minded individual in SOTE), there are additional surprises, from shocking deaths to the identity of the person aiding John. The enjoyable story is unfortunately diluted by excessive blunders: misspellings (“Chlorophorm”), grammatical and punctuation errors (“Some was from both our families”; “My brothers other vehicle”), and alternating past/present tense throughout. An editor’s eye would be valuable, as beyond those mistakes lies writing that’s comical (Elizabeth’s suicide raises a “shit load of red flags”) and razor-sharp (“My anger quickly subsided, and shame walked in”).
An entertaining and distinctive revenge tale.Pub Date: Dec. 22, 2017
ISBN: 978-1-5462-2154-8
Page Count: 144
Publisher: AuthorHouse
Review Posted Online: Feb. 21, 2018
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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