Furst (The Foreign Correspondent, 2006, etc.) cuts back a bit on the usual tension, but there is all of the wonderfully...
As the Nazis openly plan an invasion, France’s military attaché in Warsaw does a little spying, eats good meals, travels a bit and spends time in pleasant surroundings with a lovely lawyer for the League of Nations.
Wounded in the Great War, Col. Jean-François Mercier is a widower with two grown daughters, a vast Parisian apartment, a handsome, slightly shabby country estate and two fine hunting dogs. His current assignment in Poland has him mixing with the local swells—where he picks up bits of information on the tennis court and at dinners—and running a modestly successful intelligence operation involving Herr Uhl, a plump German engineer who swaps details of the Nazis new tank for nights of love with a zaftig “Countess” in Mercier’s employ. From the various little bits of information Mercier has gleaned, it becomes depressingly evident that the Nazis are beefing up their tank warfare capability with an eye on the Ardennes forest, the quickest way around the “impregnable” Maginot Line in which France’s thick-headed military leaders have placed their total trust. Then the Uhl operation falls apart. An obedient hausfrau sharing his train compartment reports Uhl’s nervous behavior to the authorities, resulting in his nearly successful kidnapping by some overeager intelligence agents. Mercier’s successful intervention in the snatch earns him a place on the Nazi hit list. Undaunted, the suave Frenchman plans a fake hike on the German border to photograph the latest tank war games, obtaining even more evidence of the Huns’ strategy, which will yet again be ignored by the dinosaurs at the top of the French army. Offsetting the frustrations at work is a dalliance with beautiful Anna Szarbek, his blind date at an embassy dinner.
Furst (The Foreign Correspondent, 2006, etc.) cuts back a bit on the usual tension, but there is all of the wonderfully wistful late-’30s atmosphere that is his specialty.Pub Date: June 10, 2008
ISBN: 978-1-4000-6602-5
Page Count: 288
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2008
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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