Nicholas Kraven, the middle-aged British protagonist of Isler's savagely funny second novel (after The Prince of West End Avenue, 1994), would seem to have it made. He has an undemanding job as a lecturer in English literature at Mosholu College in the Bronx, classrooms of stolid students to hector, patronize (and, when a particularly alluring young woman catches his eye, seduce), and a longstanding adulterous liaison with a highly inventive neighbor. There are, of course, the occasional indignities: He must turn out scholarly articles and even appear to take seriously the seemingly crackbrained discovery of an elderly student (that Merlin was not only a historical figure but a Jew). Still, life isn't bad. And then, in an instant, it turns hilariously awful. His lover's husband deserts her. He adapts his student's idea about Merlin, taking credit for it himself, at first receives extraordinary praise, then is reviled as a plagiarist. Worst, in a deft moment that sends the novel soaring in an audacious new direction, Kraven is revealed to be an impostor. Raised in England in an extended family of German Jewish ÇmigrÇs, Kraven could in fact never afford to attend a university. When the loathsome cousin he had helped through school died, just before embarking for America, Kraven had usurped his job and his name. Now, he flees home, returning to London only to discover that his enemies and his past are not so easily eluded. Isler has a wonderful appetite for satire: his portraits of prissy academics, boorish students, and smarmy administrators are unsparing, convincing, and very funny. But his talent can equally meet the demands of sensitively portraying Kraven's suffering as, back home, he begins painfully to sift through the ruins of his life, the identity he artfully constructed and the older identity he fled. This sly comedy becomes, in the end, a subtle, profoundly moving meditation on identity and responsibility: an ambitious, stirring work by a very promising young writer.
Pub Date: April 1, 1996
ISBN: 1-882593-13-8
Page Count: 256
Publisher: Bridge Works
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1996
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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