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THE PRINCE OF WEST END AVENUE

Memories of past sorrow and misspent passion come unbidden to an elderly Holocaust survivor in this elegant novel, when a woman bearing a resemblance to an old love joins the staff at a retirement home located on Manhattan's Upper West Side. While most of the residents of the Emma Lazarus home are busy squabbling over the casting and the direction of Hamlet, Otto Korner, challenging ghosts of his own, feels appropriately cast as the Gravedigger. A published poet at 19, and unable to serve in the army, he is sent to Zurich by his family at the advent of World War I. There he meets a thoughtful, bookish Lenin, an ``unmannered oaf'' named James Joyce, and is an unhappy midwife at Tristan Tzara's birthing of the Dadaist movement. It is there, too, that he becomes obsessed with the high-spirited, scornful Magda Damrosch, whose likeness he sees 60 years later in the ``dull, empty-headed'' physical therapist from Cleveland. His placid, unreflective life at the retirement home, already shaken, is further disturbed when a prized letter from the poet Rilke, praising his ``precocious talent,'' is stolen. Someone begins sending clues in verse— ``charades,'' he calls them—and they tax both his literary and personal memory. Isler moves smoothly from war to war and to the present, with Korner moving among memories of his youth; of his two wives (``both...were cremated, only one of them by her own request''); of his emigration in 1947 to New York, where he found his sister hanged in her kitchen (``I stuffed Lola's memory high on the closet shelf with the rest of my past and closed the door tightly''); and of his quiet, uneventful years at the New York Pubic Library where, ironically, he was placed in charge of materials published in Germany between 1929 and 1945. A delicious, evocative, gentle debut, written in prose to be savored and cherished.

Pub Date: May 17, 1994

ISBN: 1-882593-04-9

Page Count: 256

Publisher: Bridge Works

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 1994

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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THE NICKEL BOYS

Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s...

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The acclaimed author of The Underground Railroad (2016) follows up with a leaner, meaner saga of Deep South captivity set in the mid-20th century and fraught with horrors more chilling for being based on true-life atrocities.

Elwood Curtis is a law-abiding, teenage paragon of rectitude, an avid reader of encyclopedias and after-school worker diligently overcoming hardships that come from being abandoned by his parents and growing up black and poor in segregated Tallahassee, Florida. It’s the early 1960s, and Elwood can feel changes coming every time he listens to an LP of his hero Martin Luther King Jr. sermonizing about breaking down racial barriers. But while hitchhiking to his first day of classes at a nearby black college, Elwood accepts a ride in what turns out to be a stolen car and is sentenced to the Nickel Academy, a juvenile reformatory that looks somewhat like the campus he’d almost attended but turns out to be a monstrously racist institution whose students, white and black alike, are brutally beaten, sexually abused, and used by the school’s two-faced officials to steal food and supplies. At first, Elwood thinks he can work his way past the arbitrary punishments and sadistic treatment (“I am stuck here, but I’ll make the best of it…and I’ll make it brief”). He befriends another black inmate, a street-wise kid he knows only as Turner, who has a different take on withstanding Nickel: “The key to in here is the same as surviving out there—you got to see how people act, and then you got to figure out how to get around them like an obstacle course.” And if you defy them, Turner warns, you’ll get taken “out back” and are never seen or heard from again. Both Elwood’s idealism and Turner’s cynicism entwine into an alliance that compels drastic action—and a shared destiny. There's something a tad more melodramatic in this book's conception (and resolution) than one expects from Whitehead, giving it a drugstore-paperback glossiness that enhances its blunt-edged impact.

Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s novel displays its author’s facility with violent imagery and his skill at weaving narrative strands into an ingenious if disquieting whole.

Pub Date: July 16, 2019

ISBN: 978-0-385-53707-0

Page Count: 224

Publisher: Doubleday

Review Posted Online: Jan. 20, 2019

Kirkus Reviews Issue: Feb. 1, 2019

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