The conclusion plays out a bit too neatly, but, still: savory, cozy, nicely textured, and very British.
Guardian Fiction Prize-winner Judd (The Devil’s Own Work, 1994), returns with a twisty, accomplished, and engaging Cold War thriller set in London of the 1970s, back when you knew where you stood—even if it turned out you were wrong.
Charlie Thoroughgood, stationed in Belfast in A Breed of Heroes (1981), has recently mustered out of the army and signed on with MI6. Very much like Clarice Starling, he’s pulled from his class of eager trainees and asked to take on a case; like her, his history and relative naiveté become a resource in the larger picture. The chummy collegiality of Charlie’s classmates extends upstairs; his superiors, the blustery, unnuanced Hugo March and the polished, self-contained Hookey, head of Soviet block operations, are both clubby gentlemen playing devious games. Russian agent Viktor Koslov, whom Charlie knew slightly at Oxford, is working out of the Soviet embassy, and his affair with a London prostitute (a Cabinet minister among her clients recalls the Profumo scandal) suggests he might be turned. When approached, though, Viktor delivers the gut-punch revelation that Charlie’s late father had been working for his side, and he attempts to bring Charlie over as well. Troubled, Charlie reports all, and feint and parry follow as MI6 plays his emotional turmoil as another card it’s been dealt. When the case is frozen to prevent exposure of the philandering Cabinet minister, Charlie resigns and strikes out on his own, determined to discover the truth about Dad. Amid a smooth blend of high drama and homely detail, secrets within secrets are uncovered, flirtations come and go, honor and duty are discussed (amusingly, Viktor and Hookey deliver similar lectures of self-indulgence: to Viktor a symptom of the West, to Hookey a sign of the times), and Charlie learns more about the sort of man he really is.
The conclusion plays out a bit too neatly, but, still: savory, cozy, nicely textured, and very British.Pub Date: April 14, 2003
ISBN: 0-375-41484-3
Page Count: 256
Publisher: Knopf
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Feb. 15, 2003
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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