Judd's fifth novel (Tango, 1990, etc.), winner of a Guardian Fiction Prize in England, pays self-conscious homage to Ford Madox Ford's classic, The Good Soldier, as befits a book by a Ford biographer. As in The Good Soldier, the novel is recounted by an unnamed narrator, an unassuming secondary school teacher who tells readers about the rise and fall of his friend Edward. At the outset, Edward is a promising young writer who makes a major leap in his career with a scathing essay about O.M. Tyrrel, the aged ``doyen of English letters.'' The reclusive Tyrrel unexpectedly invites Edward to interview him at his home on the French Riviera. At the end of their interview, Tyrrel gives him a mysterious and incomprehensible manuscript, then keels over dead. Not long after, Edward begins a meteoric rise, enjoying both critical and popular success, and becomes involved with the seemingly ageless Eudoxie, who was Tyrrel's mistress. The narrator and Edward remain friends, but there are strange phenomena surrounding Edward and his household, including the mysterious noise of a pen writing whenever he is thinking about work and the peculiar behavior of Eudoxie. Gradually, the narrator learns the secret of the manuscript and the woman who comes with it. He discovers that his wife and Edward have had an affair, which ultimately causes her to have a breakdown. Edward declines into morbid old age. In his final encounter with the narrator, he reveals the secret of his success before passing the manuscript on to another writer. Ironically, his critical reputation declines, as Tyrrel's had, after his death. Judd seems to intend his tale as an allegory about the price of success, but the connections are strained and the plotting predictable. An uneasy, unhappy, and unproductive mix of Ford Madox Ford and Stephen King.
Pub Date: June 6, 1994
ISBN: 0-679-42552-7
Page Count: 128
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1994
BOOK REVIEW
There are unforgettable beauties in this very sexy story.
Passion, friendship, heartbreak, and forgiveness ring true in Lovering's debut, the tale of a young woman's obsession with a man who's "good at being charming."
Long Island native Lucy Albright, starts her freshman year at Baird College in Southern California, intending to study English and journalism and become a travel writer. Stephen DeMarco, an upperclassman, is a political science major who plans to become a lawyer. Soon after they meet, Lucy tells Stephen an intensely personal story about the Unforgivable Thing, a betrayal that turned Lucy against her mother. Stephen pretends to listen to Lucy's painful disclosure, but all his thoughts are about her exposed black bra strap and her nipples pressing against her thin cotton T-shirt. It doesn't take Lucy long to realize Stephen's a "manipulative jerk" and she is "beyond pathetic" in her desire for him, but their lives are now intertwined. Their story takes seven years to unfold, but it's a fast-paced ride through hookups, breakups, and infidelities fueled by alcohol and cocaine and with oodles of sizzling sexual tension. "Lucy was an itch, a song stuck in your head or a movie you need to rewatch or a food you suddenly crave," Stephen says in one of his point-of-view chapters, which alternate with Lucy's. The ending is perfect, as Lucy figures out the dark secret Stephen has kept hidden and learns the difference between lustful addiction and mature love.
There are unforgettable beauties in this very sexy story.Pub Date: June 12, 2018
ISBN: 978-1-5011-6964-9
Page Count: 352
Publisher: Atria
Review Posted Online: March 19, 2018
Kirkus Reviews Issue: April 1, 2018
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
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