Like a pun, this book will either go over really well or flop
Katz’s (sub)titular show and tell has a room full of racially diverse students making proclamations that would normally get them sent to the principal’s office, giving this book a forbidden-fruit vibe.
A cold and rainy day prompts Mrs. Mueller to cancel recess and hold show and tell instead. Jimmy’s response? “That stinks!” The class gasps, mouths agape, but Jimmy is just referring to the item he’s sharing: his pet skunk. “Aw, nuts!” says Susie: she shows off a bowl of several kinds. And so it goes, each student turning a potentially inflammatory comment into an innocuous one, though some are more jaw-dropping than others—“This totally bites!”—and some are just downright cheesy (literally). And the nerds are easily pinpointed: Monica shows off her gross of pencils, and Thomas displays an electrical circuit (“Shocking!”). Gilpin proves he is a master of both facial expressions and kids’ body language; a raised eyebrow here and a crinkled nose there exude disgust, and there’s no child who won’t recognize the talk-to-the-hand gesture accompanied by upward-looking eyes that he does so well in his digital illustrations. But Katz’s text is not as strong. One wonders how the kids came to have these items in school (especially the pet skunk and the family’s dinner garbage) when the activity is presented as an impromptu decision. The items also seem to be chosen more for their pun-ability than as a reflection of kids’ reality.
Like a pun, this book will either go over really well or flop . (Picture book. 4-8)Pub Date: July 12, 2016
ISBN: 978-1-4169-7880-0
Page Count: 32
Publisher: Simon & Schuster
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
Visually accomplished but marred by stereotypical cultural depictions.
Ellis, known for her illustrations for Colin Meloy’s Wildwood series, here riffs on the concept of “home.”
Shifting among homes mundane and speculative, contemporary and not, Ellis begins and ends with views of her own home and a peek into her studio. She highlights palaces and mansions, but she also takes readers to animal homes and a certain famously folkloric shoe (whose iconic Old Woman manages a passel of multiethnic kids absorbed in daring games). One spread showcases “some folks” who “live on the road”; a band unloads its tour bus in front of a theater marquee. Ellis’ compelling ink and gouache paintings, in a palette of blue-grays, sepia and brick red, depict scenes ranging from mythical, underwater Atlantis to a distant moonscape. Another spread, depicting a garden and large building under connected, transparent domes, invites readers to wonder: “Who in the world lives here? / And why?” (Earth is seen as a distant blue marble.) Some of Ellis’ chosen depictions, oddly juxtaposed and stripped of any historical or cultural context due to the stylized design and spare text, become stereotypical. “Some homes are boats. / Some homes are wigwams.” A sailing ship’s crew seems poised to land near a trio of men clad in breechcloths—otherwise unidentified and unremarked upon.
Visually accomplished but marred by stereotypical cultural depictions. (Picture book. 4-8)Pub Date: Feb. 24, 2015
ISBN: 978-0-7636-6529-6
Page Count: 40
Publisher: Candlewick
Review Posted Online: Nov. 17, 2014
Kirkus Reviews Issue: Dec. 1, 2014
An invitation to wonder, imagine and look at everything (humans included) in a new way.
A young boy sees things a little differently than others.
Noah can see patterns in the dust when it sparkles in the sunlight. And if he puts his nose to the ground, he can smell the “green tang of the ants in the grass.” His most favorite thing of all, however, is to read. Noah has endless curiosity about how and why things work. Books open the door to those answers. But there is one question the books do not explain. When the wind comes whistling by, where does it go? Noah decides to find out. In a chase that has a slight element of danger—wind, after all, is unpredictable—Noah runs down streets, across bridges, near a highway, until the wind lifts him off his feet. Cowman’s gusty wisps show each stream of air turning a different jewel tone, swirling all around. The ribbons gently bring Noah home, setting him down under the same thinking tree where he began. Did it really happen? Worthington’s sensitive exploration leaves readers with their own set of questions and perhaps gratitude for all types of perspective. An author’s note mentions children on the autism spectrum but widens to include all who feel a little different.
An invitation to wonder, imagine and look at everything (humans included) in a new way. (Picture book. 4-8)Pub Date: April 14, 2015
ISBN: 978-1-60554-356-7
Page Count: 32
Publisher: Redleaf Lane
Review Posted Online: Feb. 2, 2015
Kirkus Reviews Issue: Feb. 15, 2015
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