This is a sloppily assembled work. What Kaufman does best is convey the brittle camaraderie of the reservists; a story...
The experiences of an American Jew fighting as a reservist with the Israeli Defense Forces.
The matches of the title are soldiers, in IDF lingo. For his first novel, Kaufman (Jew Boy, memoir) has drawn on his own tours of duty with the IDF. His protagonist, Nathan Falk, is a twenty-something New York Jew with Israeli citizenship who has completed two years of regular service and now serves at least a month each year in the reserves, mostly in the Gaza Strip or on the Israeli/Egyptian border. He details a scary encounter with an ultra-orthodox settler who predicts an eventual war between the Jews; a house-to-house search in which Falk makes an important arrest; the destruction of a house owned by the parents of a terrorist; and the nighttime killing of desert infiltrators, thanks to the fine work of Bachshi, the IDF’s top Bedouin tracker. Kaufman’s passages on Bedouin culture are the most interesting, even if Bachshi sounds like the generic Voice of the Desert. Meanwhile, what is Falk up to the rest of the year? Hard to say. He lives alone in a Jerusalem apartment and balls Maya, wife of his best friend Dotan, off fighting in Lebanon (Falk never claimed to be nice). All three are part of a “bohemian cultural elite,” but we don’t know how Falk supports himself. At one point he has a crisis of conscience and decides “ I didn’t want to hurt (Arabs) anymore in order to survive;” he rushes to Jerusalem to be comforted by Maya, who then disappears from the story, along with the guilty conscience. The chronology is hard to follow, and by the final third, which consists of snapshots of reservists dealing with Palestinian civilians, “all guilty until proven innocent,” all novelistic coherence has evaporated.
This is a sloppily assembled work. What Kaufman does best is convey the brittle camaraderie of the reservists; a story collection or another memoir might have served his purposes better.Pub Date: Oct. 24, 2005
ISBN: 0-316-10664-X
Page Count: 256
Publisher: Back Bay/Little, Brown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2005
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
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