A handsome but tormented Cuban man finds both joy and hardship in this operatic novel.
Olympian and Santería mythologies merge in this international romance.
Lessik’s debut novel has just about everything: love, identity, politics, the politics of identity, heartbreak, mythical overtones, and innumerable gods in the machine. Antinio grows up in a Cuba that is unapologetically militant (whereas he is peaceful), irreligious (where he is polytheistic), and macho (while he is gay). He has advantages too: he’s winsome, muscular, quick to learn foreign tongues, and has a very big pinga. He first comes to enjoy sex with boys at a military encampment during the 1962 Cuban Missile Crisis. After he’s raped by one of the more vicious boys, he attempts suicide and returns to civilian life. But to be gay is to violate taboo in the Cuba of the ’60s and when Antinio’s affections are revealed, he’s expelled from college and comes to feel himself “lower than a worm.” As an adolescent, Antinio’s favorite book is The Golden Ages, a primer on the gods of Olympus and the heroes they championed. “Antinio saw the similarity between the gods he was studying and the Santería orishas,” various aspects of the godhead’s divinity. Characters in the novel (Calypso, for example, the woman who protects his secrets and gets him readmitted to the university as a linguist) appear with names from Greek mythology, but there is a decided mixing of influence: Calypso, in the book, is also a priestess of Santería. A doctor who tends his fate in a psychiatric ward is named Minos. This is charming, if unsubtle, and the key at the beginning of the work—spelling out the meaning of the characters’ Greek names and what roles they play in the narrative—probably gives the game away a bit too early. But there’s another level to the metaphor: “Antinio and his partners use the terms Greek-active and -passive to describe their sexual behavior.” To be gay was (and is) often to be scorned in America as well, and when the story follows Antinio’s journey to Minnesota as a refugee, and then, later, into illness and suffering, Lessik’s prose is always sympathetic and eloquent.
A handsome but tormented Cuban man finds both joy and hardship in this operatic novel.Pub Date: Sept. 22, 2016
ISBN: 978-1-937627-27-0
Page Count: 270
Publisher: Chelsea Station Editions
Review Posted Online: July 18, 2016
Review Program: Kirkus Indie
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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