A fine addition to a well-established series.
The 15th edition of this always-strong annual collection features essays that range in subject and tone from philosophical to poetic, guest-edited by Lightman (The Diagnosis, p. 1063, etc.).
Lightman’s assemblage very nearly defies generalization. It includes 21 essays from publications as elite as Harper’s and as obscure as The Natural Farmer on subjects from the metaphysical to the intensely personal, written by naturalists, poets, and scientists. They span the continuum from formal argument to informal reflection. Ultimately, however, these pieces are linked by their sincerity as well as the quality of their composition. As Lightman explains in his introduction, “In reading an essay, I want to feel that I’m communing with a real person, and a person who cares what he or she’s writing about.” Thus, as you proceed through the alphabetically arranged collection—from William Gass’s flawless “In Defense of the Book” to Mary Gordon’s open-ended narrative of her imagined and real encounters with Rome to Edward Hoagland’s quiet reflections on the intersection of nature, mystery, and religion—you’ll encounter distinct voices that are like-minded in their thoughtfulness. From this self-seriousness the collection understandably gains a certain weight: the essays are intended to be thought-provoking, and not on petty issues. Ian Buruma dissects identity politics, Richard McCann dwells on the life granted and taken through his liver transplant, and Steven Weinberg searches for God within quantum physics. Although some rely more heavily on the pronoun “I” than others, each represents (as Lightman desired) a personal struggle to express a thought, explore a belief, or understand a phenomenon.
A fine addition to a well-established series.Pub Date: Oct. 26, 2000
ISBN: 0-618-03578-8
Page Count: 320
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 2000
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s...
Music journalist and musician Wald (Talking 'Bout Your Mama: The Dozens, Snaps, and the Deep Roots of Rap, 2014, etc.) focuses on one evening in music history to explain the evolution of contemporary music, especially folk, blues, and rock.
The date of that evening is July 25, 1965, at the Newport Folk Festival, where there was an unbelievably unexpected occurrence: singer/songwriter Bob Dylan, already a living legend in his early 20s, overriding the acoustic music that made him famous in favor of electronically based music, causing reactions ranging from adoration to intense resentment among other musicians, DJs, and record buyers. Dylan has told his own stories (those stories vary because that’s Dylan’s character), and plenty of other music journalists have explored the Dylan phenomenon. What sets Wald's book apart is his laser focus on that one date. The detailed recounting of what did and did not occur on stage and in the audience that night contains contradictory evidence sorted skillfully by the author. He offers a wealth of context; in fact, his account of Dylan's stage appearance does not arrive until 250 pages in. The author cites dozens of sources, well-known and otherwise, but the key storylines, other than Dylan, involve acoustic folk music guru Pete Seeger and the rich history of the Newport festival, a history that had created expectations smashed by Dylan. Furthermore, the appearances on the pages by other musicians—e.g., Joan Baez, the Weaver, Peter, Paul, and Mary, Dave Van Ronk, and Gordon Lightfoot—give the book enough of an expansive feel. Wald's personal knowledge seems encyclopedic, and his endnotes show how he ranged far beyond personal knowledge to produce the book.
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s personal feelings about Dylan's music or persona.Pub Date: July 25, 2015
ISBN: 978-0-06-236668-9
Page Count: 368
Publisher: Dey Street/HarperCollins
Review Posted Online: May 15, 2015
Kirkus Reviews Issue: June 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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