A scattershot collection of the outspoken Harvard law professor's ruminations on various topics, which reflects his already extensively documented interest in the state of the federal judiciary, civil liberties, and Israeli and Jewish issues, among other concerns. Dershowitz gathers these opinion pieces (many drawn from his syndicated newspaper column) into five main areas: judges, justice, and courts; freedom of expression and the rise of intolerance; the state, the law, and the rights of individuals; the law and politics of sex, life, and death; and problems related to Judaism and Jewishness, particularly the problem of anti-Semitism at home and abroad. While his title suggests an element of unpredictability, Dershowitz's stance on most issues is consistent and easy to anticipate. He is a civil libertarian, profoundly protective of the rights of the individual against the interests of the state, a champion of freedom of expression, and a man proud of his Jewish heritage and abhorred by manifestations of anti-Semitism. Though few readers will disagree with these principles, when Dershowitz- -who delights in his role as a gadfly—applies them to specific issues, he draws conclusions and expresses compellingly argued opinions that will make some uncomfortable. He condemns the New York bar's discipline of D.A. Liz Holtzman for publicly criticizing a judge; argues that a Massachusetts law prohibiting child pornography is too broad and should be struck down; condemns the ``speech codes'' on college campuses that prohibit racist, sexist, and homophobic expressions; and suggests that Americans should not invest in anti-Semitic, though newly democratic, Poland. Vintage Dershowitz: trenchant opinions designed to stimulate— and infuriate.
Pub Date: Oct. 14, 1992
ISBN: 0-88687-701-6
Page Count: 400
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1992
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s...
Music journalist and musician Wald (Talking 'Bout Your Mama: The Dozens, Snaps, and the Deep Roots of Rap, 2014, etc.) focuses on one evening in music history to explain the evolution of contemporary music, especially folk, blues, and rock.
The date of that evening is July 25, 1965, at the Newport Folk Festival, where there was an unbelievably unexpected occurrence: singer/songwriter Bob Dylan, already a living legend in his early 20s, overriding the acoustic music that made him famous in favor of electronically based music, causing reactions ranging from adoration to intense resentment among other musicians, DJs, and record buyers. Dylan has told his own stories (those stories vary because that’s Dylan’s character), and plenty of other music journalists have explored the Dylan phenomenon. What sets Wald's book apart is his laser focus on that one date. The detailed recounting of what did and did not occur on stage and in the audience that night contains contradictory evidence sorted skillfully by the author. He offers a wealth of context; in fact, his account of Dylan's stage appearance does not arrive until 250 pages in. The author cites dozens of sources, well-known and otherwise, but the key storylines, other than Dylan, involve acoustic folk music guru Pete Seeger and the rich history of the Newport festival, a history that had created expectations smashed by Dylan. Furthermore, the appearances on the pages by other musicians—e.g., Joan Baez, the Weaver, Peter, Paul, and Mary, Dave Van Ronk, and Gordon Lightfoot—give the book enough of an expansive feel. Wald's personal knowledge seems encyclopedic, and his endnotes show how he ranged far beyond personal knowledge to produce the book.
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s personal feelings about Dylan's music or persona.Pub Date: July 25, 2015
ISBN: 978-0-06-236668-9
Page Count: 368
Publisher: Dey Street/HarperCollins
Review Posted Online: May 15, 2015
Kirkus Reviews Issue: June 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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