An uneven performance from one of our foremost celebrity lawyers.
An extended graduation speech by America’s leading legal gadfly.
To his credit, Professor Dershowitz (Law/Harvard Univ.) admits that “I write like I talk.” Readers hoping to find a collection of subtle, elegantly crafted essays about the law will be disappointed. Instead, this collection reads as though it had been dictated within the space of a sleepless 48 hours. But then that’s quintessential Dershowitz: fast-thinking, fast-talking, and unapologetically opinionated. In a series modeled on Rainer Maria Rilke’s Letters to a Young Poet (see Christopher Hitchens’s Letters to a Young Contrarian, p. 1090), Dershowitz dispenses advice to those embarking on careers in the law. His reflections touch on many of his longstanding obsessions, particularly the unethical practices he contends compromise our criminal justice system. Nor can he resist firing off a few gratuitous salvos about his view that the Supreme Court corruptly influenced the outcome of the last presidential election. The Court’s opinion, he writes, “should not be respected, any more than the robed cheaters who wrote it should be respected.” Unlike its flamboyant author, however, little of the advice dispensed here is particularly controversial: Serve your client, not yourself; be willing to advocate for society’s pariahs; and, above all, make career choices that are personally satisfying even if that means forgoing prestige. As though commenting on his current project, Dershowitz observes that certain of his Harvard colleagues resist publishing until a piece is perfect, a search that is “illusory and has no end.” Instead, Dershowitz has opted “to publish my many imperfect books” in order to interject his voice into the “marketplace of ideas”—a highly appropriate motto for this highly imperfect collection.
An uneven performance from one of our foremost celebrity lawyers.Pub Date: Nov. 15, 2001
ISBN: 0-465-01631-6
Page Count: 208
Publisher: Basic Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 2001
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s...
Music journalist and musician Wald (Talking 'Bout Your Mama: The Dozens, Snaps, and the Deep Roots of Rap, 2014, etc.) focuses on one evening in music history to explain the evolution of contemporary music, especially folk, blues, and rock.
The date of that evening is July 25, 1965, at the Newport Folk Festival, where there was an unbelievably unexpected occurrence: singer/songwriter Bob Dylan, already a living legend in his early 20s, overriding the acoustic music that made him famous in favor of electronically based music, causing reactions ranging from adoration to intense resentment among other musicians, DJs, and record buyers. Dylan has told his own stories (those stories vary because that’s Dylan’s character), and plenty of other music journalists have explored the Dylan phenomenon. What sets Wald's book apart is his laser focus on that one date. The detailed recounting of what did and did not occur on stage and in the audience that night contains contradictory evidence sorted skillfully by the author. He offers a wealth of context; in fact, his account of Dylan's stage appearance does not arrive until 250 pages in. The author cites dozens of sources, well-known and otherwise, but the key storylines, other than Dylan, involve acoustic folk music guru Pete Seeger and the rich history of the Newport festival, a history that had created expectations smashed by Dylan. Furthermore, the appearances on the pages by other musicians—e.g., Joan Baez, the Weaver, Peter, Paul, and Mary, Dave Van Ronk, and Gordon Lightfoot—give the book enough of an expansive feel. Wald's personal knowledge seems encyclopedic, and his endnotes show how he ranged far beyond personal knowledge to produce the book.
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s personal feelings about Dylan's music or persona.Pub Date: July 25, 2015
ISBN: 978-0-06-236668-9
Page Count: 368
Publisher: Dey Street/HarperCollins
Review Posted Online: May 15, 2015
Kirkus Reviews Issue: June 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
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