An articulate, unflinchingly honest, and touching account brimming with joy, heartbreak, and love.
In this memoir, an ad agency powerhouse recounts turning a family tragedy into an opportunity for youngsters who learn differently, gaining an understanding about himself in the process.
Had Pesky chosen to write a book simply detailing his life and many accomplishments, it likely would have been intriguing. But what he has produced is deeper and more emotionally riveting, as the author peels back and examines the layers of his often difficult relationship with his eldest son, Lee. While filled with wonderful tales of personal and professional fulfillment, the narrative is propelled by a singular, excruciating loss. In November 1995, 30-year-old Lee died from the ravages of a voracious brain tumor. The memoir opens with the painful account of Lee’s illness and death, then toggles to the author’s impressive journey up the ladder of success. Born in 1933 in New York City, he grew up in the Bronx and Queens. After college and a stint in the military, he attended Dartmouth’s Tuck School of Business. An amusing, self-deprecating vignette depicts how a major snowstorm contributed to his Dartmouth admission. Fast-forward to May 1967. Pesky, an ad agency account executive, and his four partners took a leap of faith and opened their own agency—Scali, McCabe, Sloves. The gamble paid off handsomely, both financially and in industry accolades, and there are many delightful tales and now-classic commercial taglines from the author’s high-flying years in advertising. But back at home, the bright and mischievous Lee was struggling, hampered by his learning disabilities, motor-skill difficulty, and a father who wanted to help but couldn’t yet appreciate his son’s unique talents. Since Lee’s death, Pesky has channeled his grief and self-recriminations into what he considers his most important project—the creation of the Lee Pesky Learning Center, which has received national acclaim for its groundbreaking work. Much of the author’s candid and moving memoir—written with Aulum and featuring a collection of family photographs—focuses on the center’s crucial work. Although this intermittently slows down the narrative, the pages contain a wealth of valuable information for the family, friends, and teachers of Lee’s fellow travelers.
An articulate, unflinchingly honest, and touching account brimming with joy, heartbreak, and love.Pub Date: Sept. 7, 2021
ISBN: 978-1-5107-6635-8
Page Count: 232
Publisher: N/A
Review Posted Online: Oct. 6, 2021
Review Program: Kirkus Indie
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
A juicy story with some truly crazy moments, yet Anderson's good heart shines through.
The iconic model tells the story of her eventful life.
According to the acknowledgments, this memoir started as "a fifty-page poem and then grew into hundreds of pages of…more poetry." Readers will be glad that Anderson eventually turned to writing prose, since the well-told anecdotes and memorable character sketches are what make it a page-turner. The poetry (more accurately described as italicized notes-to-self with line breaks) remains strewn liberally through the pages, often summarizing the takeaway or the emotional impact of the events described: "I was / and still am / an exceptionally / easy target. / And, / I'm proud of that." This way of expressing herself is part of who she is, formed partly by her passion for Anaïs Nin and other writers; she is a serious maven of literature and the arts. The narrative gets off to a good start with Anderson’s nostalgic memories of her childhood in coastal Vancouver, raised by very young, very wild, and not very competent parents. Here and throughout the book, the author displays a remarkable lack of anger. She has faced abuse and mistreatment of many kinds over the decades, but she touches on the most appalling passages lightly—though not so lightly you don't feel the torment of the media attention on the events leading up to her divorce from Tommy Lee. Her trip to the pages of Playboy, which involved an escape from a violent fiance and sneaking across the border, is one of many jaw-dropping stories. In one interesting passage, Julian Assange's mother counsels Anderson to desexualize her image in order to be taken more seriously as an activist. She decided that “it was too late to turn back now”—that sexy is an inalienable part of who she is. Throughout her account of this kooky, messed-up, enviable, and often thrilling life, her humility (her sons "are true miracles, considering the gene pool") never fails her.
A juicy story with some truly crazy moments, yet Anderson's good heart shines through.Pub Date: Jan. 31, 2023
ISBN: 9780063226562
Page Count: 256
Publisher: Dey Street/HarperCollins
Review Posted Online: Dec. 5, 2022
Kirkus Reviews Issue: Jan. 1, 2023
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