Quibbles aside, this will find a receptive audience with trivia buffs, tourists, and residents of all ages.
As with Ben Franklin (2011) and Abe Lincoln (2015), Schroeder and O’Brien employ the alphabet to pair lesser-known tidbits with humorous ink-and-watercolor caricatures to, in this case, present some of the people, places, and politics associated with the nation’s capital.
Although each letter has multiple entries, some are relegated to a half page while others are assigned two. There are interesting choices for “X,” such as the panda Mei Xiang, and the X-1 and X-15 planes in the Air and Space Museum. Humans include Benjamin Banneker, the African-American surveyor of the district’s boundaries, and Glenn Sundby, the white acrobat who descended the Washington Monument steps on his hands. A claw-footed, Capitol-shaped bathtub whimsically highlights 1860 amenities in the dusty building’s basement. Some details are summarized to the point of misleading; for instance, the statement that when black contralto Marian Anderson was barred from singing in Constitution Hall, she “simply changed the venue” is not accurate. (Eleanor Roosevelt and her husband intervened to procure the Lincoln Memorial.) Also, it is not possible to verify the rumor that underground tunnels stretch from the Capitol to the White House, as O’Brien depicts them. Quotes from figures as diverse as Shirley Chisholm, Groucho Marx, and Dan Quayle provide additional perspectives.
Quibbles aside, this will find a receptive audience with trivia buffs, tourists, and residents of all ages. (Informational picture book. 6-12)Pub Date: March 13, 2018
ISBN: 978-0-8234-3678-1
Page Count: 32
Publisher: Holiday House
Review Posted Online: Jan. 12, 2018
Kirkus Reviews Issue: Feb. 1, 2018
A substantive and affirming addition to any collection.
An impressive array of names, events, and concepts from Black history are introduced in this alphabet book for early-elementary readers.
From A for anthem(“a banner of song / that wraps us in hope, lets us know we belong”) to Z for zenith(“the top of that mountain King said we would reach”), this picture book is a journey through episodes, ideas, and personalities that represent a wide range of Black experiences. Some spreads celebrate readers themselves, like B for beautiful(“I’m talking to you!”); others celebrate accomplishments, such as E for explore(Matthew Henson, Mae Jemison), or experiences, like G for the Great Migration. The rhyming verses are light on the tongue, making the reading smooth and soothing. The brightly colored, folk art–style illustrations offer vibrant scenes of historical and contemporary Black life, with common people and famous people represented in turn. Whether reading straight through and poring over each page or flipping about to look at the refreshing scenes full of brown and black faces, readers will feel pride and admiration for the resilience and achievements of Black people and a call to participate in the “unfinished…American tale.” Endnotes clarify terms and figures, and a resource list includes child-friendly books, websites, museums, and poems.
A substantive and affirming addition to any collection. (Informational picture book. 6-11)Pub Date: Dec. 8, 2020
ISBN: 978-1-5235-0749-8
Page Count: 64
Publisher: Workman
Review Posted Online: Sept. 28, 2020
Kirkus Reviews Issue: Oct. 15, 2020
BOOK REVIEW
BOOK REVIEW
An incredible connector text for young readers eager to graduate to weighty conversations about our yesterday, our now, and...
Past and present are quilted together in this innovative overview of black Americans’ triumphs and challenges in the United States.
Alexander’s poetry possesses a straightforward, sophisticated, steady rhythm that, paired with Nelson’s detail-oriented oil paintings, carries readers through generations chronicling “the unforgettable,” “the undeniable,” “the unflappable,” and “the righteous marching ones,” alongside “the unspeakable” events that shape the history of black Americans. The illustrator layers images of black creators, martyrs, athletes, and neighbors onto blank white pages, patterns pages with the bodies of slaves stolen and traded, and extends a memorial to victims of police brutality like Sandra Bland and Michael Brown past the very edges of a double-page spread. Each movement of Alexander’s poem is a tribute to the ingenuity and resilience of black people in the U.S., with textual references to the writings of Gwendolyn Brooks, Martin Luther King Jr., Langston Hughes, and Malcolm X dotting stanzas in explicit recognition and grateful admiration. The book ends with a glossary of the figures acknowledged in the book and an afterword by the author that imprints the refrain “Black. Lives. Matter” into the collective soul of readers, encouraging them, like the cranes present throughout the book, to “keep rising.”
An incredible connector text for young readers eager to graduate to weighty conversations about our yesterday, our now, and our tomorrow. (Picture book/poetry. 6-12)Pub Date: April 2, 2019
ISBN: 978-1-328-78096-6
Page Count: 40
Publisher: Versify/HMH
Review Posted Online: Jan. 14, 2019
Kirkus Reviews Issue: Feb. 1, 2019
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