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The Egg Thief

A delightful take on the theme of a boy and his dog, full of detailed—and frequently funny—images and a valuable message...

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A boy tries to figure out how to replace some missing eggs in this picture book about community and family.

Georgie feels too sleepy to perform his morning chores, but Mama reminds him the eggs “aren’t going to collect themselves.” Georgie ventures out into the ominous clouds and enters the barn only to discover that the eggs are gone. The culprit? A scruffy-looking dog with perfect puppy-dog eyes and a big personality. Georgie names the dog, who is ready to help the boy find a solution to the egg problem, Buster. The dog’s first plan involves Georgie stealing some duck eggs; but that ends with the boy in the stream and still eggless after Buster pulls him out. Buster’s next scheme takes Georgie to Widow Kolbach’s barn. Georgie tries to keep Buster from crossing into her yard, but before the boy can get away, Widow Kolbach spots him. In a surprise twist, the widow needs help in her henhouse, and she allows Georgie to keep half of the eggs he collects for her. “How’d you know she needed help?” Georgie asks Buster. The sweet tale ends happily: Georgie not only obtains his eggs (and Buster gets a new home), but the pair also assists someone who needs an extra hand. Gallegos’ wonderful, tonally perfect images expertly capture Buster’s moods, from looking appropriately shamefaced, his tail between his legs and his ears drooping, to feeling perky. The dog’s excitement, inventiveness, and loyalty to Georgie spring off the page. The pair’s facial expressions are also brilliantly executed in the artwork. The story’s hint about the importance of kindness resonates, especially in light of so many recent news reports about bullying. Adams (The Coal Thief, 2015, etc.) uses challenging, but perfectly appropriate, vocabulary words, like “squelched” for the sound of the mud on Georgie’s boots. The introduction of these words, the small text size, and the historical, rural setting in the illustrations (Georgie wears knickers; midcalf, lace-up boots; and a newsboy cap) may skew the audience to confident early elementary readers (grades two and three).

A delightful take on the theme of a boy and his dog, full of detailed—and frequently funny—images and a valuable message about paying attention to the needs of your neighbors.

Pub Date: April 5, 2016

ISBN: 978-1-940716-36-7

Page Count: 32

Publisher: Spark Press

Review Posted Online: March 7, 2016

Kirkus Reviews Issue: April 1, 2016

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REFUGEE

Poignant, respectful, and historically accurate while pulsating with emotional turmoil, adventure, and suspense.

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In the midst of political turmoil, how do you escape the only country that you’ve ever known and navigate a new life? Parallel stories of three different middle school–aged refugees—Josef from Nazi Germany in 1938, Isabel from 1994 Cuba, and Mahmoud from 2015 Aleppo—eventually intertwine for maximum impact.

Three countries, three time periods, three brave protagonists. Yet these three refugee odysseys have so much in common. Each traverses a landscape ruled by a dictator and must balance freedom, family, and responsibility. Each initially leaves by boat, struggles between visibility and invisibility, copes with repeated obstacles and heart-wrenching loss, and gains resilience in the process. Each third-person narrative offers an accessible look at migration under duress, in which the behavior of familiar adults changes unpredictably, strangers exploit the vulnerabilities of transients, and circumstances seem driven by random luck. Mahmoud eventually concludes that visibility is best: “See us….Hear us. Help us.” With this book, Gratz accomplishes a feat that is nothing short of brilliant, offering a skillfully wrought narrative laced with global and intergenerational reverberations that signal hope for the future. Excellent for older middle grade and above in classrooms, book groups, and/or communities looking to increase empathy for new and existing arrivals from afar.

Poignant, respectful, and historically accurate while pulsating with emotional turmoil, adventure, and suspense. (maps, author’s note) (Historical fiction. 10-14)

Pub Date: July 25, 2017

ISBN: 978-0-545-88083-1

Page Count: 352

Publisher: Scholastic

Review Posted Online: May 9, 2017

Kirkus Reviews Issue: June 1, 2017

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STEALING HOME

An emotional, much-needed historical graphic novel.

Sandy and his family, Japanese Canadians, experience hatred and incarceration during World War II.

Sandy Saito loves baseball, and the Vancouver Asahi ballplayers are his heroes. But when they lose in the 1941 semifinals, Sandy’s dad calls it a bad omen. Sure enough, in December 1941, Japan bombs Pearl Harbor in the U.S. The Canadian government begins to ban Japanese people from certain areas, moving them to “dormitories” and setting a curfew. Sandy wants to spend time with his father, but as a doctor, his dad is busy, often sneaking out past curfew to work. One night Papa is taken to “where he [is] needed most,” and the family is forced into an internment camp. Life at the camp isn’t easy, and even with some of the Asahi players playing ball there, it just isn’t the same. Trying to understand and find joy again, Sandy struggles with his new reality and relationship with his father. Based on the true experiences of Japanese Canadians and the Vancouver Asahi team, this graphic novel is a glimpse of how their lives were affected by WWII. The end is a bit abrupt, but it’s still an inspiring and sweet look at how baseball helped them through hardship. The illustrations are all in a sepia tone, giving it an antique look and conveying the emotions and struggles. None of the illustrations of their experiences are overly graphic, making it a good introduction to this upsetting topic for middle-grade readers.

An emotional, much-needed historical graphic novel. (afterword, further resources) (Graphic historical fiction. 9-12)

Pub Date: Oct. 5, 2021

ISBN: 978-1-5253-0334-0

Page Count: 112

Publisher: Kids Can

Review Posted Online: June 28, 2021

Kirkus Reviews Issue: July 15, 2021

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