In this collection of (in fact) more than ten stories noted Scottish writer Alasdair Gray (Poor Things, 1993) again displays both his artistic talents—the illustrations are his own—and his sometimes quirky, but always original storytelling gifts. Many of these stories have previously appeared in British journals like The Independent and The Glasgow Herald; with a few exceptions, the most notable being a deceptively quiet horror story of rail travel in the future (``Near the Driver''), they are set in present-day Scotland. For Gray, the region is as different from England as Faulkner's Mississippi is from the rest of the US. It's a hard place of implacable pieties, rigid class structures, and an undercurrent of resentment of Tories, Toffs, and Thatcherites. But Gray is too much the artist to limit himself to bitter polemics. Humor and empathy are his preferred tools. In ``Houses and Small Labor Parties,'' the youngest member of a crew of unskilled workers poignantly confronts the realities of class and aging when he agrees to work with old Joe one Sunday on the boss's garden. An older woman who ``has no pity for men and enjoys destroying them, especially smart manipulators,'' woos her lover back because she doesn't want ``to be lonely'' (``Homeward Bound''); at a wedding, a young Glasgow woman, who deliberately dressed down knowing that her best dress would look cheap beside the English groom's relatives, is taken up and then dropped by a smug Englishman far too obsessed with the ragged jeans she wears (``You''); and a married woman, searching for her long lost faith, reads her Bible in a local pub, the only quiet place she can find, but is evicted because ``we cannot have a woman weeping in the corner of the bar. It spoils people's pleasure'' (``Are You A Lesbian?''). A remarkably unpretentious mix of wit and wisdom infused with a palpable delight in telling stories that will never turn stale.
Pub Date: March 1, 1994
ISBN: 0-15-100090-5
Page Count: 176
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1994
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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