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HELLO, DOOR

What are young listeners to feel upon finishing this story? Unsatisfied—and maybe even insecure.

Goodnight Moon meets “The Three Bears” in this tale of a robber fox.

Sporting a blue turtleneck, this bushy-tailed thief approaches an elegant home with columns and a mansard roof (a Georgian town house, according to the illustrator’s dedication). The fox greets objects and creatures by name: “Hello, door. Hello, house. / Hello, mat. Hello, mouse.” Once inside, the intruder enjoys a snack, swings through the parlor on the chandelier, and leaves a trail of broken china and debris. What isn’t nailed down goes into an increasingly bulging satchel—porcelain, silver, jewelry, and paintings, cut from their frames. The palette is predominantly turquoise with burnt orange and red accents; the feel of the mischief is reminiscent of Warner Bros. cartoons. Just as the fox is about to make a getaway, the three bear homeowners return, and a confusing chase ensues, the characters appearing as orange silhouettes running through a cross-section of the house. Mother Bear finally tosses the culprit out the window. The fox lands, empty-handed but gleeful, eyeing an even more palatial setting replete with fountains and formal gardens. This plot and conclusion produce discomfort. In “The Three Bears,” while Goldilocks does enter a home not her own, she is more naughty child than thief. When found, she is frightened enough never to be seen repeating the offense.

What are young listeners to feel upon finishing this story? Unsatisfied—and maybe even insecure. (Picture book. 3-5)

Pub Date: Jan. 2, 2018

ISBN: 978-1-4998-0536-9

Page Count: 32

Publisher: Little Bee Books

Review Posted Online: Oct. 9, 2017

Kirkus Reviews Issue: Nov. 1, 2017

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GOOD NIGHT OWL

A funny tale about stress and an ever upping ante, with a comforting end.

Something is preventing Owl from falling asleep.

Owl leans back against his white pillow and headboard. “Squeek!” says something underneath the bed. Owl’s never heard that sound before, so he fastens his pink bathrobe and answers the front door. Nobody. It must be the wind; back to bed. Bidding himself goodnight, he climbs into bed—and hears the noise again. Time after time, he pops out of bed seeking the squeaker. Is it in the cupboard? He empties the shelves. Under the floor? He pulls up his floorboards. As Owl’s actions ratchet up—he destroys the roof and smashes the walls, all in search of the squeak—so does his anxiety. Not until he hunkers down in bed under the night sky (his bed is now outdoors, because the house’s roof and walls are gone), frantically clutching his pillow, does he see what readers have seen all along: a small, gray mouse. In simple illustrations with black outlines, textured coloring, and foreshortened perspective, Pizzoli plays mischievously with mouse placement. Sometimes the mouse is behind Owl or just out of his sightline; other times, the mouse is on a solid, orange-colored page across the spread from Owl, which removes him from Owl’s scene in a rather postmodern manner. Is the mouse toying with Owl? Who knows?

A funny tale about stress and an ever upping ante, with a comforting end. (Picture book. 3-5)

Pub Date: April 19, 2016

ISBN: 978-1-4847-1275-7

Page Count: 48

Publisher: Disney-Hyperion

Review Posted Online: Jan. 19, 2016

Kirkus Reviews Issue: Feb. 1, 2016

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I'M A HARE, SO THERE!

Animated and educational.

A hare and a ground squirrel banter about the differences between related animals that are often confused for one another.

Jack is “no Flopsy, Mopsy, or Cottontail,” but a “H-A-R-E, hare!” Like sheep and goats, or turtles and tortoises, rabbits and hares may look similar, but hares are bigger, their fur changes color in the winter, and they are born with their eyes wide open. As the ground squirrel (not to be mistaken for a chipmunk (even though Jack cheekily calls it “Chippie”) and Jack engage in playful discussion about animals, a sneaky coyote prowls after them through the Sonoran Desert. This picture book conveys the full narrative in spirited, speech-bubbled dialogue set on expressive illustrations of talking animals. Dark outlines around the characters make their shapes pop against the softly blended colors of the desert backgrounds. Snappy back-and-forth paired with repetition and occasional rhyme enhances the story’s appeal as a read-aloud. As the story progresses, the colors of the sky shift from dawn to dusk, providing subtle, visual bookends for the narrative. One page of backmatter offers a quick guide to eight easily confused pairs, and a second turns a subsequent exploration of the book into a seek-and-find of 15 creatures (and one dessert) hidden in the desert. Unfortunately, while most of the creatures from the seek-and-find appear in poses that match the illustrations in the challenge, not all of them are consistently represented. (This book was reviewed digitally with 7-by-20-inch double-page spreads viewed at 53.3% of actual size.)

Animated and educational. (Picture book. 3-5)

Pub Date: March 16, 2021

ISBN: 978-0-358-12506-8

Page Count: 32

Publisher: HMH Books

Review Posted Online: Jan. 12, 2021

Kirkus Reviews Issue: Feb. 1, 2021

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