by Alberto Lopez Valenzuela ‧ RELEASE DATE: Nov. 6, 2018
A thorough, incisive account of the changing moral landscape of business.
A chief executive reconsiders the relationship between a corporation’s success and its commitment to social responsibility.
According to debut author Valenzuela, the business world has been changed by a trio of historical forces: globalization, the digital revolution, and a newfound emphasis on sustainability. These shifts have produced a “New Normal,” an age in which technological innovation demands a strategic accommodation of the extraordinary transparency delivered by a new online community of “collaborative consumers.” This “environment of intense scrutiny,” Valenzuela compellingly argues, demands a radical reassessment of the ways in which companies articulate their responsibilities to stakeholders and their places within society as a whole. The author provides a detailed history, including concrete case studies, of the ways in which companies have accomplished this—some have simply organized themselves around the priority of profit (Apple), tried to combine a commitment to profit and a societal obligation (Unilever), or made their principal mission the satisfaction of some greater good (Patagonia). Valenzuela ultimately proposes a new model that envisions a company’s societal mission deeply embedded within every province of the organization, a pervasive diffusion of its core values. To that end, he recommends the creation of a new position, a connecting leader, a “Society Proxy,” who manages the social contract that delineates a company’s duties not just to consumers, but also to the greater world it inhabits. The author is a visiting professor at the Cass Business School and the founder and chief executive of his own company, and his knowledge of the subject matter is unimpeachable. He thoughtfully and persuasively argues that the old social contract that once defined a business’s sense of its moral obligations is now obsolete, and a new covenant has replaced it. In addition, he writes in accessible prose, largely unencumbered by the turbid MBA-ese that contaminates so many business books. Valenzuela’s discussion of “authenticity,” though, is a touch anodyne—it seems to simply mean an earnest versus purely strategic devotion to a corporation’s societal obligations. It’s unclear how this translates into counsel since sincerity is not so easily willed.
A thorough, incisive account of the changing moral landscape of business.Pub Date: Nov. 6, 2018
ISBN: 978-1-5445-1250-1
Page Count: 244
Publisher: Lioncrest Publishing
Review Posted Online: Dec. 5, 2018
Review Program: Kirkus Indie
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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