Buffs will love it; the audience could go wider.
Veteran YA author Carter’s first adult title is the fascinating story of a ferocious three-day battle, among the bloodiest ever fought on US soil. No, not Gettysburg.
Six months before Gettysburg, there was Stones River, near Nashville, in which 44,000 Union troops and 37,700 Confederates hammered away at each other, savagely and unremittingly, and yet so indecisively that at the end both sides could claim victory and make a case for it. Casualties for the Union army numbered 13,200; for the Confederate, somewhat fewer—10,500—but when the Rebs left the field, the Yanks were still there. As was the case so often during this war, Stones River furnished a bitter contrast between the leaders and those led; between incredible acts of commitment and bravery and stunning ineptitude—an imbalance Carter places at the heart of his tale.. (No fictitious protagonists here: all Carter’s important characters are for real.) At the head of the Union’s Army of the Cumberland was Major General William Rosecrans, a sometimes brilliant but dangerously erratic field commander; his opposite number was Major General Braxton Bragg, surely one of the least popular, most blunder-prone figures in the Confederate army. In both camps, thirst for rank was virtually unquenchable, envy and jealousy the inevitable precursors to the virulent back-biting that all too often got men killed. Among the Confederates, there was that extra, cultural testiness inherent in the idea of Southern honor. “My God,” says one cavalier in a moment of agonized insight, “we are violent men . . . No wonder our generals risk such headlong attacks and our men carry them out with such utter disregard for life.” Carter’s theme—war is hell—is familiar enough, yet ever fresh when rendered, as it is here, with the kind of creative force that amounts to a sense of mission.
Buffs will love it; the audience could go wider.Pub Date: March 1, 2004
ISBN: 1-56947-355-2
Page Count: 464
Publisher: Soho
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 2003
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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