by Alejandro Jodorowsky ; translated by Alfred MacAdam ‧ RELEASE DATE: May 10, 2016
A violent, raunchy story in which the sacred and profane manifest with supremely absurd humor.
From avant-garde filmmaker and novelist Jodorowsky (Where the Bird Sings Best, 2015, etc.), a picaresque tale driven by metamorphosis and travels between space-time dimensions.
After Crabby, a prickly, hunchbacked, acid-voiced teenager, loses her father and is kicked out by her mother, she embarks on a “tour of Chile, a country as long, thin, and foreign as her [Lithuanian Jewish] father.” She makes a living selling adulterated cocaine until a storm of biblical proportions washes up Albina, a beautiful albino giantess being chased by Himalayan monks. Crabby saves Albina, feeling maternal toward her. Yet they establish a club in which Albina dances naked before miners stricken with sexual desire and religious ecstasy. Unfortunately, Albina suffers from an illness that, during moonlight, transforms her into a dog in heat. When she is threatened by men and bites them, they too are infected, and all become overcome with animalistic desire. Drumfoot, a corrupt cop who tries to take advantage of Albina using Crabby’s criminal past as blackmail, falls victim to her bite. Across enormous rocky deserts, he pursues the duo, who are joined by a helpful hat-making dwarf torn in his love between the two women. Bizarre similes add to the carnivalesque atmosphere throughout. The whites of oglers’ eyes are “like unconscious pelicans,” and passing clouds are “like seagulls with rickets.” In their quest for an antidote to Albina’s canine disease, they encounter an Edenic hidden jungle where ancient Incan warriors and a witch doctor live. Each character mutates in some regard, between dog and human, ugliness and beauty, mortal and deity. Albina’s transformation is the most cosmic, and her origin story and subsequent quest whirl off into mysterious if occasionally repetitive territory, a mélange of Zen Buddhism, Inca origin myths, and Christianity.
A violent, raunchy story in which the sacred and profane manifest with supremely absurd humor.Pub Date: May 10, 2016
ISBN: 978-1-63206-054-9
Page Count: 208
Publisher: Restless Books
Review Posted Online: June 13, 2016
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by Alejandro Jodorowsky ; translated by Megan McDowell
by Kevin Hearne ‧ RELEASE DATE: Feb. 4, 2020
A charming and persuasive entry that will leave readers impatiently awaiting the concluding volume.
Book 2 of Hearne's latest fantasy trilogy, The Seven Kennings (A Plague of Giants, 2017), set in a multiracial world thrust into turmoil by an invasion of peculiar giants.
In this world, most races have their own particular magical endowment, or “kenning,” though there are downsides to trying to gain the magic (an excellent chance of being killed instead) and using it (rapid aging and death). Most recently discovered is the sixth kenning, whose beneficiaries can talk to and command animals. The story canters along, although with multiple first-person narrators, it's confusing at times. Some characters are familiar, others are new, most of them with their own problems to solve, all somehow caught up in the grand design. To escape her overbearing father and the unreasoning violence his kind represents, fire-giant Olet Kanek leads her followers into the far north, hoping to found a new city where the races and kennings can peacefully coexist. Joining Olet are young Abhinava Khose, discoverer of the sixth kenning, and, later, Koesha Gansu (kenning: air), captain of an all-female crew shipwrecked by deep-sea monsters. Elsewhere, Hanima, who commands hive insects, struggles to free her city from the iron grip of wealthy, callous merchant monarchists. Other threads focus on the Bone Giants, relentless invaders seeking the still-unknown seventh kenning, whose confidence that this can defeat the other six is deeply disturbing. Under Hearne's light touch, these elements mesh perfectly, presenting an inventive, eye-filling panorama; satisfying (and, where appropriate, well-resolved) plotlines; and tensions between the races and their kennings to supply much of the drama.
A charming and persuasive entry that will leave readers impatiently awaiting the concluding volume.Pub Date: Feb. 4, 2020
ISBN: 978-0-345-54857-3
Page Count: 592
Publisher: Del Rey/Ballantine
Review Posted Online: Nov. 24, 2019
Kirkus Reviews Issue: Dec. 15, 2019
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by Kevin Hearne
by Leigh Bardugo ‧ RELEASE DATE: Oct. 1, 2019
With an aura of both enchantment and authenticity, Bardugo’s compulsively readable novel leaves a portal ajar for equally...
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New York Times Bestseller
Yale’s secret societies hide a supernatural secret in this fantasy/murder mystery/school story.
Most Yale students get admitted through some combination of impressive academics, athletics, extracurriculars, family connections, and donations, or perhaps bribing the right coach. Not Galaxy “Alex” Stern. The protagonist of Bardugo’s (King of Scars, 2019, etc.) first novel for adults, a high school dropout and low-level drug dealer, Alex got in because she can see dead people. A Yale dean who's a member of Lethe, one of the college’s famously mysterious secret societies, offers Alex a free ride if she will use her spook-spotting abilities to help Lethe with its mission: overseeing the other secret societies’ occult rituals. In Bardugo’s universe, the “Ancient Eight” secret societies (Lethe is the eponymous Ninth House) are not just old boys’ breeding grounds for the CIA, CEOs, Supreme Court justices, and so on, as they are in ours; they’re wielders of actual magic. Skull and Bones performs prognostications by borrowing patients from the local hospital, cutting them open, and examining their entrails. St. Elmo’s specializes in weather magic, useful for commodities traders; Aurelian, in unbreakable contracts; Manuscript goes in for glamours, or “illusions and lies,” helpful to politicians and movie stars alike. And all these rituals attract ghosts. It’s Alex’s job to keep the supernatural forces from embarrassing the magical elite by releasing chaos into the community (all while trying desperately to keep her grades up). “Dealing with ghosts was like riding the subway: Do not make eye contact. Do not smile. Do not engage. Otherwise, you never know what might follow you home.” A townie’s murder sets in motion a taut plot full of drug deals, drunken assaults, corruption, and cover-ups. Loyalties stretch and snap. Under it all runs the deep, dark river of ambition and anxiety that at once powers and undermines the Yale experience. Alex may have more reason than most to feel like an imposter, but anyone who’s spent time around the golden children of the Ivy League will likely recognize her self-doubt.
With an aura of both enchantment and authenticity, Bardugo’s compulsively readable novel leaves a portal ajar for equally dazzling sequels.Pub Date: Oct. 1, 2019
ISBN: 978-1-250-31307-2
Page Count: 448
Publisher: Flatiron Books
Review Posted Online: June 30, 2019
Kirkus Reviews Issue: July 15, 2019
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by Leigh Bardugo ; illustrated by Dani Pendergast
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