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THE PEOPLE WHO REPORT MORE STRESS

An unbalanced but still rewarding collection that paints a vivid picture of navigating a hostile world together and alone.

Anxiety from daily encounters with racism and homophobia plague the transracial gay couple at the heart of this debut story collection.

Varela’s second book, after The Town of Babylon (2022), experiments with form and point of view—employing first-, second-, and third-person in various stories—but returns again and again to the New York City lives of Eduardo, a public health expert of Salvadorian and Colombian heritage, and his White husband, a coder named Gus. The Eduardos and Guses encountered throughout the collection are not from a singular timeline or moment in their histories, however. “Grand Openings” offers a litany of different life paths for the pair, including polyamory, separation, untimely deaths, and differing relationships with their children. Individual stories offer more subtle variations—naming a child Julio versus Jules, a marriage ended by opening the relationship versus a marriage ended by Eduardo’s frustrated retreat from a discriminatory world, a basil plant thriving or dying. The imagery may appear pedestrian (except in the standout “All the Bullets Were Made in My Country,” which includes the story of the mythic L’Ampara), but the prose shines throughout, with razor-sharp specificity about human nature and an entrancing rhythm. The stories are not constructed with equal precision, though, so the endings of some feel haphazard, and there are occasional instances of overly obvious moralizing. Nevertheless, the collection shows a writer of impressive imagination continuing to deepen his craft.

An unbalanced but still rewarding collection that paints a vivid picture of navigating a hostile world together and alone.

Pub Date: April 4, 2023

ISBN: 9781662601071

Page Count: 256

Publisher: Astra House

Review Posted Online: Jan. 24, 2023

Kirkus Reviews Issue: Feb. 15, 2023

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SANDWICH

A moving, hilarious reminder that parenthood, just like life, means constant change.

During an annual beach vacation, a mother confronts her past and learns to move forward.

Her family’s annual trip to Cape Cod is always the highlight of Rocky’s year—even more so now that her children are grown and she cherishes what little time she gets with them. Rocky is deep in the throes of menopause, picking fights with her loving husband and occasionally throwing off her clothes during a hot flash, much to the chagrin of her family. She’s also dealing with her parents, who are crammed into the same small summer house (with one toilet that only occasionally spews sewage everywhere) and who are aging at an alarmingly rapid rate. Rocky’s life is full of change, from her body to her identity—she frequently flashes back to the vacations of years past, when her children were tiny. Although she’s grateful for the family she has, she mourns what she’s lost. Newman (author of the equally wonderful We All Want Impossible Things, 2022) imbues Rocky’s internal struggles with importance and gravity, all while showcasing her very funny observations about life and parenting. She examines motherhood with a raw honesty that few others manage—she remembers the hard parts, the depths of despair, panic, and anxiety that can happen with young children, and she also recounts the joy in a way that never feels saccharine. She has a gift for exploring the real, messy contradictions in human emotions. As Rocky puts it, “This may be the only reason we were put on this earth. To say to each other, I know how you feel.”

A moving, hilarious reminder that parenthood, just like life, means constant change.

Pub Date: June 18, 2024

ISBN: 9780063345164

Page Count: 240

Publisher: Harper/HarperCollins

Review Posted Online: March 23, 2024

Kirkus Reviews Issue: April 15, 2024

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THE MAN WHO LIVED UNDERGROUND

A welcome literary resurrection that deserves a place alongside Wright’s best-known work.

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A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.

Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.

A welcome literary resurrection that deserves a place alongside Wright’s best-known work.

Pub Date: April 20, 2021

ISBN: 978-1-59853-676-8

Page Count: 240

Publisher: Library of America

Review Posted Online: March 16, 2021

Kirkus Reviews Issue: April 1, 2021

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