A playful, discursive novel about families, relationships, poetry, and how easily all three can come together or fall apart.
A unique and personal novel about what it means to be part of a family.
Who is the Chilean poet of the title? Is it Gonzalo, the main character of the first section, who meets a girl named Carla when they’re both teenagers and then reconnects with her in their 20s? Gonzalo yearns to see his name alongside Chilean greats like Neruda and Mistral; he’d even settle to see his name among the not-so-greats or even any poets at all. Or is the Chilean poet Vicente, Carla’s son, whom Gonzalo helps raise until leaving them both to take a position in New York City? Vicente takes over the second section of the novel, when he himself is 18 and, unlike Gonzalo, is actually a talented poet. Or is Zambra the titular poet in a piece of autofiction about his own literary yearnings and relationships in a Chile still recovering from a brutal dictatorship? Can anyone bear the burden of being a Chilean poet considering that two have won the Nobel Prize in literature? Zambra’s novel, as translated by McDowell, renders both the small moments of literary striving and the everyday difficulties of being part of, and raising, a family with an insight that’s both cleareyed and tender. Many of the author's musings about families could be applied to the act of writing and vice versa: “They were like two strangers searching desperately for a subject in common; it seemed like they were talking about something and were together, but they knew that really they were talking about nothing and were alone.” The relationships in the novel are touching, often frustrating, and always authentic. Zambra isn’t afraid to switch from graphic sex scenes to hilarious ruminations on poetry anthologies or into multiple characters’ points of view, all in a few pages.
A playful, discursive novel about families, relationships, poetry, and how easily all three can come together or fall apart.Pub Date: Feb. 15, 2022
ISBN: 978-0-59-329794-0
Page Count: 368
Publisher: Viking
Review Posted Online: Nov. 29, 2021
Kirkus Reviews Issue: Dec. 15, 2021
PERSPECTIVES
Though Hilderbrand threatens to kill all our darlings with this last laugh, her acknowledgments say it’s just “for now.”
A stranger comes to town, and a beloved storyteller plays this creative-writing standby for all it’s worth.
Hilderbrand fans, a vast and devoted legion, will remember Blond Sharon, the notorious island gossip. In what is purportedly the last of the Nantucket novels, Blond Sharon decides to pursue her lifelong dream of fiction writing. In the collective opinion of the island—aka the “cobblestone telegraph”—she’s qualified. “Well, we think, she’s certainly demonstrated her keen interest in other people’s stories, the seedier and more salacious, the better.” Blond Sharon’s first assignment in her online creative writing class is to create a two-person character study, and Hilderbrand has her write up the two who arrive on the ferry in an opening scene of the book, using the same descriptors Hilderbrand has. Amusingly, the class is totally unimpressed. “‘I found it predictable,’ Willow said. ‘Like maybe Sharon used ChatGPT with the prompt “Write a character study about two women getting off the ferry, one prep and one punk.”’” Blond Sharon abandons these characters, but Hilderbrand thankfully does not. They are Kacy Kapenash, daughter of retiring police chief Ed Kapenash (the other swan song referred to by the title), and her new friend Coco Coyle, who has given up her bartending job in the Virgin Islands to become a “personal concierge” for the other strangers-who-have-come-to-town. These are the Richardsons, Bull and Leslee, a wild and wealthy couple who have purchased a $22 million beachfront property and plan to take Nantucket by storm. As the book opens, their house has burned down during an end-of-summer party on their yacht, and Coco is missing, feared both responsible for the fire and dead. Though it’s the last weekend of his tenure, Chief Ed refuses to let the incoming chief, Zara Washington, take this one over. The investigation goes forward in parallel with a review of the summer’s intrigues, love affairs, and festivities. Whatever else you can say about Leslee Richardson, she knows how to throw a party, and Hilderbrand is just the writer to design her invitations, menus, themes, playlists, and outfits. And that hot tub!
Though Hilderbrand threatens to kill all our darlings with this last laugh, her acknowledgments say it’s just “for now.”Pub Date: June 11, 2024
ISBN: 9780316258876
Page Count: 384
Publisher: Little, Brown
Review Posted Online: March 9, 2024
Kirkus Reviews Issue: April 1, 2024
PERSPECTIVES
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
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