by Aleksandr Solzhenitsyn ‧ RELEASE DATE: March 15, 1976
This excerpt from Solzhenitsyn's projected multi-volume work on the Russian Revolution shows Lenin stewing in Switzerland during World War I, from 1914 to the spring of 1917, when, with the assistance of the German government, he returned to Russia to turn the liberal February Revolution into a Bolshevik seizure of power. Solzhenitsyn's Lenin is a pudgy, compulsive, humorless fellow, chronically frustrated by finances and colleagues. Interior monologue—which lacks the genuine empathy of Solzhenitsyn's earlier fiction—depicts his vexed relationship with French revolutionary Inessa Armand (his lover) and with his wife Natalya, who "stayed, determined never to stand in his way. Never to show her hurt. To train herself not to feel it." Solzhenitsyn also suggests that Lenin, while ruthless, was no creative architect of revolution but found himself caught off guard by events and prone to failures of nerve. It was the intriguer Parvus who, on behalf of the Germans, really made things work. The details of the German connection are the fruit of Solzhenitsyn's detective work; he claims to have discovered major new evidence in Zurich, though his bibliography cites only standard primary and secondary sources. Despite Solzhenitsyn's determination to reduce Lenin to small, neurotic size, the book is good fun as historical reconstruction and an intriguing installment in the writer's effort to prove that the Russian Revolution was a vast misfortune.
Pub Date: March 15, 1976
ISBN: 0370106075
Page Count: 264
Publisher: Farrar, Straus and Giroux
Review Posted Online: April 11, 2012
Kirkus Reviews Issue: March 1, 1976
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by Aleksandr Solzhenitsyn ; translated by Clare Kitson & Melanie Moore
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by William Strunk & E.B. White ‧ RELEASE DATE: May 15, 1972
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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