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LENIN IN ZURICH

This excerpt from Solzhenitsyn's projected multi-volume work on the Russian Revolution shows Lenin stewing in Switzerland during World War I, from 1914 to the spring of 1917, when, with the assistance of the German government, he returned to Russia to turn the liberal February Revolution into a Bolshevik seizure of power. Solzhenitsyn's Lenin is a pudgy, compulsive, humorless fellow, chronically frustrated by finances and colleagues. Interior monologue—which lacks the genuine empathy of Solzhenitsyn's earlier fiction—depicts his vexed relationship with French revolutionary Inessa Armand (his lover) and with his wife Natalya, who "stayed, determined never to stand in his way. Never to show her hurt. To train herself not to feel it." Solzhenitsyn also suggests that Lenin, while ruthless, was no creative architect of revolution but found himself caught off guard by events and prone to failures of nerve. It was the intriguer Parvus who, on behalf of the Germans, really made things work. The details of the German connection are the fruit of Solzhenitsyn's detective work; he claims to have discovered major new evidence in Zurich, though his bibliography cites only standard primary and secondary sources. Despite Solzhenitsyn's determination to reduce Lenin to small, neurotic size, the book is good fun as historical reconstruction and an intriguing installment in the writer's effort to prove that the Russian Revolution was a vast misfortune.

Pub Date: March 15, 1976

ISBN: 0370106075

Page Count: 264

Publisher: Farrar, Straus and Giroux

Review Posted Online: April 11, 2012

Kirkus Reviews Issue: March 1, 1976

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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