A wildly ambitious, darkly intellectual and inventive thriller about the intersection of language, technology and meaning.
Language becomes a virus in this terrifying vision of the print-empty, Web-reliant culture of the 22nd century.
Students of linguistics may run screaming from this dystopian nightmare by Brooklyn-based debut novelist Graedon, but diligent fans of Neal Stephenson or Max Barry will be richly rewarded by a complex thriller. In fact, the novel is as much about lexicography, communication and philosophy as it is about secret societies, conspiracies and dangerous technologies. Our heroine is Anana Johnson, who works closely with her father, Doug, at the antiquated North American Dictionary of the English Language. The dictionary is an artifact in a near future where most of the populace uses “Memes”—implantable devices that feed massive amounts of data to users in real time but also monitor their environments to suggest behaviors, purchases and ideas. The devices, marketed by technology behemoth Synchronic, have become so pervasive that the company has enough clout to create and sell language itself to linguistically bereft users in their online Word Exchange. If that sounds creepy, it is, and it gets worse. One evening, Doug gives Ana two bottles of pills and a code word, “Alice,” to use if danger should enter their loquacious lives. When Doug disappears, Ana and her comrade Bart must navigate the increasingly treacherous world behind the clean lines of Synchronic's marketing schemes, complete with chases through underground mazes and encounters with the subversive "Diachronic Society," which leads the resistance against the Meme vogue. The danger explodes when the world is engulfed by “word flu,” causing widespread, virulent aphasia. “As more and more of our interactions are mediated by machines—as all consciousness and communications are streamed through Crowns, Ear Beads, screens and whatever Synchronic has planned next, for its newest Meme—there’s no telling what will happen, not only to language but in some sense to civilization,” warns the resistance. “The end of words would mean the end of memory and thought. In other words, our past and future.”
A wildly ambitious, darkly intellectual and inventive thriller about the intersection of language, technology and meaning.Pub Date: April 8, 2014
ISBN: 978-0-385-53765-0
Page Count: 400
Publisher: Doubleday
Review Posted Online: Feb. 19, 2014
Kirkus Reviews Issue: March 1, 2014
PROFILES
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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