A rewarding alternative for children who find the digital edition of Hervé Tullet’s Press Here (2012) too relentlessly...
This inventive pairing of colors with musical riffs offers almost unlimited opportunities for visual and aural experimentation—plus jigsaw puzzles for more structured entertainment.
Each of the four colors are introduced individually with their musical themes, first by blank screens to draw on and then stylized, big-eared animals whose parts can be moved about with a fingertip or left to separate in a tilt-sensitive drift. On following screens, the color fields and the figures appear in combinations that can be reordered or rearranged to create both color changes and musical juxtapositions or even, with rhythmic tapping, multilayered arpeggios. The title screen’s “Play” option leads to three jigsaws and an unusual kaleidoscopic puzzle that all use the same set of shapes and colors in fresh compositions. Comical grunts, drawing lines that transform into flights of butterflies and other small flourishes enhance the artfully designed interaction. There is no narration or text, but children will find that in addition to drawing and playing with colors, they can create a story that ends with enormously satisfying chortles.
A rewarding alternative for children who find the digital edition of Hervé Tullet’s Press Here (2012) too relentlessly inscrutable. (iPad play app. 4-8)Pub Date: March 22, 2013
ISBN: N/A
Page Count: -
Publisher: WARE'S ME
Review Posted Online: April 30, 2013
Kirkus Reviews Issue: May 15, 2013
Continuing to find inspiration in the work of Virginia Lee Burton, Munro Leaf and other illustrators of the past, Long (The Little Engine That Could, 2005) offers an aw-shucks friendship tale that features a small but hardworking tractor (“putt puff puttedy chuff”) with a Little Toot–style face and a big-eared young descendant of Ferdinand the bull who gets stuck in deep, gooey mud. After the big new yellow tractor, crowds of overalls-clad locals and a red fire engine all fail to pull her out, the little tractor (who had been left behind the barn to rust after the arrival of the new tractor) comes putt-puff-puttedy-chuff-ing down the hill to entice his terrified bovine buddy successfully back to dry ground. Short on internal logic but long on creamy scenes of calf and tractor either gamboling energetically with a gaggle of McCloskey-like geese through neutral-toned fields or resting peacefully in the shade of a gnarled tree (apple, not cork), the episode will certainly draw nostalgic adults. Considering the author’s track record and influences, it may find a welcome from younger audiences too. (Picture book. 5-8)
Pub Date: Sept. 1, 2009
ISBN: 978-0-399-25248-8
Page Count: 40
Publisher: Philomel
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2009
SEEN & HEARD
Turkey’s in the “kind of trouble where it’s almost Thanksgiving...and you’re the main course.” Accordingly, Turkey tries on disguise after disguise, from horse to cow to pig to sheep, at each iteration being told that he looks nothing like the animal he’s trying to mimic (which is quite true, as Harper’s quirky watercolors make crystal clear). He desperately squeezes a red rubber glove onto his head to pass as a rooster, only to overhear the farmer suggest a poultry plan B when he’s unable to turn up the turkey. Turkey’s horrified expression as he stands among the peppers and tomatoes—in November? Chalk it up to artistic license—is priceless, but his surroundings give him an idea. Good fun, but it may lead to a vegetarian table or two. (Picture book. 4-8)
Pub Date: Oct. 1, 2009
ISBN: 978-0-7614-5529-5
Page Count: 32
Publisher: Marshall Cavendish
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2009
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