Every page is stunning, like coming across an atlas that covers the entire solar system.
Readers may wish this graphic novel were several times taller and wider.
Alice’s illustrations showcase some of the most glorious landmarks of the solar system, circa 1871, from a castle in Prussia to a crater on the moon and the caverns and canyons of Mars. Often, there are airships floating above them, shaped like enormous birds. Fans of the series might wish the pictures were the size of turn-of-the-20th-century broadsheets, like the Little Nemo comic strips, or posters they could hang on their walls. Even the most ardent fans, who’ve read the previous volumes again and again, may be baffled by the plot, which includes multiple political factions active in multiple parts of the galaxy. But the core of the story is simple enough to follow: There are good guys and bad guys, and they fight—sometimes with airships, sometimes with psychic powers. (No matter how many factions show up, almost all of the characters are white—even a Martian princess appears, at first, to be white and blond.) Like the first three volumes, this book ends with a cliffhanger, but it does resolve most of its major plot threads. It even ends with a kiss. More important, the last page is utterly filled with aircraft, with three balloons apiece. (This book was reviewed digitally with 11.3-by-17-inch double-page spreads viewed at 78% of actual size.)
Every page is stunning, like coming across an atlas that covers the entire solar system. (Graphic steampunk. 10-16)Pub Date: Sept. 8, 2020
ISBN: 978-1-250-20681-7
Page Count: 64
Publisher: First Second
Review Posted Online: June 15, 2020
Kirkus Reviews Issue: July 1, 2020
BOOK REVIEW
BOOK REVIEW
An epic fantasy with timeless themes and unforgettable characters.
Two young people save the world and all the magic in it in this series opener.
When tall, dark-haired, white-skinned Christopher Forrester goes to stay with his grandfather in Scotland, he ventures to the top of a forbidden hill and discovers astonishing magical creatures. His grandfather explains that Christopher’s family are guardians of the “way through” to the Archipelago, where the Glimourie Tree grows—the source of glimourie, or the world’s magic. Black-haired, olive-skinned Mal Arvorian, a girl from the Archipelago, is being pursued by a murderer, and she asks Christopher for help, launching them both on a wild, dangerous journey to discover why the glimourie is disappearing and how to stop it. Together with a part-nereid woman, a ratatoska, a dragon, and a Berserker, they face an odyssey of dangerous tasks to find the Immortal, the only one who can reverse the draining of magic. Like Lyra and Will from Philip Pullman’s His Dark Materials, Mal and Christopher sacrifice their innocence for experience, meeting every challenge with depthless courage until they finally reach the maze at the heart of it all. Rundell throws myriad obstacles in her characters’ way, but she gives them tools both tangible (a casapasaran, which always points the way home, and the glamry blade, which cuts through anything) and intangible (the desire “to protect something worth protecting” and an “insistence that the world is worth loving”). Final art not seen.
An epic fantasy with timeless themes and unforgettable characters. (map, bestiary) (Fantasy. 10-16)Pub Date: Sept. 10, 2024
ISBN: 9780593809860
Page Count: 368
Publisher: Knopf
Review Posted Online: May 30, 2024
Kirkus Reviews Issue: July 1, 2024
SEEN & HEARD
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic.
Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.
Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13)Pub Date: May 14, 2013
ISBN: 978-0-06-210489-2
Page Count: 496
Publisher: Harper/HarperCollins
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: April 15, 2013
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
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