Great reading for the intellectually curious.
Forget the bad pun of the title; this is a first-rate survey of the world of mathematics by a British practitioner of the art.
Yes, there is art in doing math, an aesthetic delight in the kind of creation that leads to an aha experience at what a proof reveals. Bellos (Here's Looking at Euclid: A Surprising Excursion Through the Astonishing World of Math, 2010, etc.) compares it to the punch line of a joke. He begins with chapters revealing how deep-seated are our feelings about numbers: why seven is special and one is the “yang” and masculine, while two is “yin” and feminine. He follows up with an amazing finding on the abundance of numbers beginning with one or two and the paucity of higher initial digits in any stories you read in the paper but also in populations, stock prices, etc.—a phenomenon known as Benford’s Law. The author then moves on to geometry, algebra, calculus, the laws of logic and the nature of proofs, always with an eye toward showing how an esoteric discovery so often has practical applications. The beautiful, longish S segment of a curve called the clothoid turns out to be the transition path used by trains and roads when moving from a straight to a circular path to avoid jolting passengers. Sometimes the going gets tough (e.g., fractals), and Bellos advises skipping to the beginning of the next chapter, where he always starts with elementary concepts. In this way, the author leads readers by the hand through such marvels as pi and the exponential constant e, noting how often mathematicians deplored new concepts like imaginary numbers, not to mention infinity. Indeed, part of the book’s charm lies in the sketches of notables—e.g., the modest genius of Leonhard Euler, the dysfunctional Bernoulli family and the bitter Leibniz-Newton feud over who invented calculus.
Great reading for the intellectually curious.Pub Date: June 10, 2014
ISBN: 978-1-4516-4009-0
Page Count: 336
Publisher: Simon & Schuster
Review Posted Online: April 1, 2014
Kirkus Reviews Issue: April 15, 2014
BOOK REVIEW
BOOK REVIEW
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.
Maya Angelou is a natural writer with an inordinate sense of life and she has written an exceptional autobiographical narrative which retrieves her first sixteen years from "the general darkness just beyond the great blinkers of childhood."
Her story is told in scenes, ineluctably moving scenes, from the time when she and her brother were sent by her fancy living parents to Stamps, Arkansas, and a grandmother who had the local Store. Displaced they were and "If growing up is painful for the Southern Black girl, being aware of her displacement is the rust on the razor that threatens the throat." But alternating with all the pain and terror (her rape at the age of eight when in St. Louis With her mother) and humiliation (a brief spell in the kitchen of a white woman who refused to remember her name) and fear (of a lynching—and the time they buried afflicted Uncle Willie under a blanket of vegetables) as well as all the unanswered and unanswerable questions, there are affirmative memories and moments: her charming brother Bailey; her own "unshakable God"; a revival meeting in a tent; her 8th grade graduation; and at the end, when she's sixteen, the birth of a baby. Times When as she says "It seemed that the peace of a day's ending was an assurance that the covenant God made with children, Negroes and the crippled was still in effect."
However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.Pub Date: Feb. 1, 1969
ISBN: 0375507892
Page Count: 235
Publisher: Random House
Review Posted Online: May 14, 2012
Kirkus Reviews Issue: Feb. 1, 1969
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