THE POLLUTANT SPEAKS

Cochran’s SF novel explores ideas about alien communication.

Evans Ezra Evans is a bankrupt and hunted poet: Not only does Evans lack a source of income, but his work has people out to kill him. The offended people in question are a group called the Cannots (short for Cannot Be Grouped), who follow a manifesto that few, if any, people fully understand. They are sure that they don’t like Evans, whose writings somehow contradict their worldview, nor do they approve of certain policies governing contact with aliens. The aliens (known collectively as “the Paraunion”), who have made their existence known but have yet to reach out to humanity, communicate in a language called Para that is extremely complex—so much so that it’s nearly impossible for most humans to begin to understand it. When communicating in Para, “a person in hails of laughter can continue to answer you and comment simultaneously on the nature of their amusement.” Evans interviews for an opportunity to learn Para at an institution called Border University. He is accepted and is set to leave everything he knows for the next 16 years, with the goal of learning Para and gaining the ability to communicate as an ambassador. Early in the narrative, it seems as though Evans has been plucked from a work like William Gibson’s Neuromancer—the novel’s frenzied cyberpunk setting includes people identified as “boyzoids” and “glitterbeasts,” new hip drugs, and references to an event called “the Crush”—but the story takes a turn when Evans sets off for the unknown. With the urbanized dystopia behind him, Evans has a world of opportunity ahead, and it turns out that there’s more to discover than just language. The text is dense; passages such as “The object of his affections was Arbaun-Da-Felentual, who he gendered race-opposite from himself” have a lot to parse. Patient readers will be rewarded with an imaginative story that doesn’t fail to surprise.

A studied, intricate look at a futuristic age of alien contact.