Much like a dream itself: a novel that eludes definition, makes little sense, and is quickly erased from memory.
Man gets attacked on train, goes into coma, wakes up—or does he?
Though British author Garland started out writing cinematically inspired, densely layered backpacker fiction like The Beach (1997) and The Tesseract (1999), his newest goes for something more terse, more abstract, and, ultimately, less interesting. Carl is taking the tube home late from work, still penning marks on some papers he’s carrying—a manuscript? legal documents?—when a gang of toughs gets on and starts harassing a girl who tries to get away from them by sitting closer to Carl. They follow, Carl intervenes, and next thing he knows he’s getting the holy hell knocked out of him. As “a remote viewer,” Carl watches his body in the hospital, the nurse who seems overly interested, his girlfriend/secretary, and pretty soon himself waking up. Not long after he’s supposedly rejoined the waking world, it becomes apparent to Carl that things aren’t the way they should be. While his life still seems to retain the basic parameters that he remembers—his girlfriend, his best friend Anthony—other details aren’t so reassuring. There’s that problem with vast swathes of time slipping away from him, and then the waking up covered in blood-soaked bandages, even though he can’t find a wound to have caused the bleeding. Carl figures out, long after the reader has, that he’s likely still in a dream-state, that no matter how many times he may think he has woken up, he’s probably still dreaming, as everything has that slippery, indescribable feel of dreams. But The Twilight Zone this isn’t, and Garland’s desire to pare his writing to the essentials hasn’t left much for the reader to grab on to. The blank march of pages is broken up by 40 block prints (by the author’s father, a well-known artist) but little else of interest.
Much like a dream itself: a novel that eludes definition, makes little sense, and is quickly erased from memory.Pub Date: July 6, 2004
ISBN: 1-57322-273-9
Page Count: 200
Publisher: Riverhead
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2004
BOOK REVIEW
BOOK REVIEW
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
More of the same: Sparks has his recipe, and not a bit of it is missing here. It’s the literary equivalent of high fructose...
Sparks (The Longest Ride, 2013, etc.) serves up another heaping helping of sentimental Southern bodice-rippage.
Gone are the blondes of yore, but otherwise the Sparks-ian formula is the same: a decent fellow from a good family who’s gone through some rough patches falls in love with a decent girl from a good family who’s gone through some rough patches—and is still suffering the consequences. The guy is innately intelligent but too quick to throw a punch, the girl beautiful and scary smart. If you hold a fatalistic worldview, then you’ll know that a love between them can end only in tears. If you hold a Sparks-ian one, then true love will prevail, though not without a fight. Voilà: plug in the character names, and off the story goes. In this case, Colin Hancock is the misunderstood lad who’s decided to reform his hard-knuckle ways but just can’t keep himself from connecting fist to face from time to time. Maria Sanchez is the dedicated lawyer in harm’s way—and not just because her boss is a masher. Simple enough. All Colin has to do is punch the partner’s lights out: “The sexual harassment was bad enough, but Ken was a bully as well, and Colin knew from his own experience that people like that didn’t stop abusing their power unless someone made them. Or put the fear of God into them.” No? No, because bound up in Maria’s story, wrinkled with the doings of an equally comely sister, there’s a stalker and a closet full of skeletons. Add Colin’s back story, and there’s a perfect couple in need of constant therapy, as well as a menacing cop. Get Colin and Maria to smooching, and the plot thickens as the storylines entangle. Forget about love—can they survive the evil that awaits them out in the kudzu-choked woods?
More of the same: Sparks has his recipe, and not a bit of it is missing here. It’s the literary equivalent of high fructose corn syrup, stickily sweet but irresistible.Pub Date: Oct. 13, 2015
ISBN: 978-1-4555-2061-9
Page Count: 304
Publisher: Grand Central Publishing
Review Posted Online: Sept. 30, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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