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THIS TABLE

A warm charmer that will help readers reflect on life’s most important things.

A table is at the center of a home.

This cozy book about a hand-hewn wooden table starts and ends evocatively: “This table began as a seed.” The seed grows into a “great strong tree” that’s felled by a lumberjack…or perhaps by lightning…or, possibly, a windstorm. Later, a skilled, brown-skinned carpenter cuts and measures the timber, sands it, attaches legs, stains and seals it, and leaves it to dry in the sun. Now it’s a “strong and stable” table, ready for use. And what stories the table could tell as it stands “in the middle of a room, in the middle of a house, and [as] life grew up around it.” It serves as a dining space, as well as a place to play and draw, to do puzzles and schoolwork, and, mostly, “for gathering, sharing stories, and being together.” Readers learn that this table, the “heart” of a home, centers people and families—a nice thought. This simply told Canadian import is quite lovely; children may wish to volunteer thoughts about how tables in their own homes compare with the one in the book. The inviting, homey watercolor illustrations, especially those of the table, have an appropriately grainy appearance, and the racially diverse characters also have an air of sturdiness, giving them not only a slightly “woodsy” appearance but also suggesting strength of character and purpose.

A warm charmer that will help readers reflect on life’s most important things. (Picture book. 4-7)

Pub Date: May 28, 2024

ISBN: 9781771645829

Page Count: 36

Publisher: Greystone Kids

Review Posted Online: March 23, 2024

Kirkus Reviews Issue: April 15, 2024

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ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

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THERE'S A ROCK CONCERT IN MY BEDROOM

Nice enough but not worth repeat reads.

Emma deals with jitters before playing the guitar in the school talent show.

Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)

Nice enough but not worth repeat reads. (Picture book. 4-6)

Pub Date: March 29, 2022

ISBN: 978-0-593-35207-6

Page Count: 40

Publisher: Razorbill/Penguin

Review Posted Online: Feb. 8, 2022

Kirkus Reviews Issue: March 1, 2022

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