As cozy and safe as it is mannerly, with a patterned text well suited to storytime sharing with younger audiences.
An errant egg politely asks for help in this prehistoric take on the “are you my mother?” theme.
Blown by the wind out of its nest and down a hill, the egg plaintively calls out, “Excuse me, please, / but am I yours? / I’m sure I am / a dinosaur’s!” But a succession of dinos are stymied: “What do you look like inside that shell? / I can’t see in so I can’t tell,” they all begin and then list their own signature characteristics in search of similarities. The conundrum deepens as, in response to each passer-by’s questions, the egg’s resident replies that, no, it doesn’t have spikes along its spine like Stegosaurus’, or a crest like Corythosaurus’, or teeth “sharp up top and down beneath” like Tyrannosaurus’. What could it be? Amid neatly laid out rocks and flowers, Latimer surrounds the enigmatic speckled egg with recognizable dinosaurs, rendered in bright monochrome hues and bearing visibly concerned expressions that are transformed into smiles when, finally, the setting sun illuminates a shadowy shape within the shell. The egg is rolled back up the hill, and finally its titular query is answered: “We are. We are! We are YOURS! / We’re two ECSTATIC pterosaurs”—just as hatching time arrives.
As cozy and safe as it is mannerly, with a patterned text well suited to storytime sharing with younger audiences. (Picture book. 3-5)Pub Date: Sept. 1, 2018
ISBN: 978-1-68263-044-0
Page Count: 32
Publisher: Peachtree
Review Posted Online: May 22, 2018
Kirkus Reviews Issue: June 15, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Still, this young boy’s imagination is a powerful force for helping him deal with life, something that should be true for...
Oliver, of first-day-of-school alligator fame, is back, imagining adventures and still struggling to find balance between introversion and extroversion.
“When Oliver found his egg…” on the playground, mint-green backgrounds signifying Oliver’s flight into fancy slowly grow larger until they take up entire spreads; Oliver’s creature, white and dinosaurlike with orange polka dots, grows larger with them. Their adventures include sharing treats, sailing the seas and going into outer space. A classmate’s yell brings him back to reality, where readers see him sitting on top of a rock. Even considering Schmid’s scribbly style, readers can almost see the wheels turning in his head as he ponders the girl and whether or not to give up his solitary play. “But when Oliver found his rock… // Oliver imagined many adventures // with all his friends!” This last is on a double gatefold that opens to show the children enjoying the creature’s slippery curves. A final wordless spread depicts all the children sitting on rocks, expressions gleeful, wondering, waiting, hopeful. The illustrations, done in pastel pencil and digital color, again make masterful use of white space and page turns, although this tale is not nearly as funny or tongue-in-cheek as Oliver and His Alligator (2013), nor is its message as clear and immediately accessible to children.
Still, this young boy’s imagination is a powerful force for helping him deal with life, something that should be true for all children but sadly isn’t. (Picture book. 3-5)Pub Date: July 1, 2014
ISBN: 978-1-4231-7573-5
Page Count: 40
Publisher: Disney-Hyperion
Review Posted Online: May 18, 2014
Kirkus Reviews Issue: June 1, 2014
Plotless and pointless, the book clearly exists only because its celebrity author wrote it.
A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.
A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.
Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)Pub Date: June 9, 2015
ISBN: 978-1-250-00934-0
Page Count: 32
Publisher: Feiwel & Friends
Review Posted Online: April 14, 2015
Kirkus Reviews Issue: May 1, 2015
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
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