Readers will salivate over this scrumptious and inspiring picture-book biography.
Julia “The French Chef” Child’s fascinating life, lovingly remembered by her grandnephew.
She stood 6 feet, 2 inches tall and wore size 12 shoes. In other words, Julia Child, nee McWilliams, was hard to miss. During World War II, she worked for the Office of Strategic Services, met her husband, and cooked shark-repellent cakes that protected Allied naval officers working in shark-infested waters. Later, while living in Paris, Julia discovered French food, and the rest is history. Prud’homme successfully drills home the fact that Child did not start out as a great cook but rather came into her talent through hard work and pure doggedness. The book’s unabashed celebration of Child’s love of food and of her pure hunger for knowledge about cooking is joyous. Ample backmatter takes a slightly more in-depth dive into Julia’s life and includes lists of pertinent books, TV shows, podcasts, websites, and exhibits. Caregivers conscious about instilling healthy eating habits in children may appreciate the appended recipe for oeufs brouillés (scrambled eggs), refreshingly different from the sweet snacks that usually constitute picture-book recipes. The colorful digital illustrations work in perfect tandem with the text, lavishly depicting the foods that seduced Child toward a life of cooking. By the story’s end, there is no mystery left as to what made her beloved by so many around the world. (This book was reviewed digitally.)
Readers will salivate over this scrumptious and inspiring picture-book biography. (author's note, bibliography) (Picture-book biography. 4-7)Pub Date: Feb. 8, 2022
ISBN: 978-1-63592-323-0
Page Count: 40
Publisher: Calkins Creek/Astra Books for Young Readers
Review Posted Online: Jan. 24, 2022
Kirkus Reviews Issue: Feb. 15, 2022
It’s a bit sketchy of historical detail, but it’s coherent, inspirational, and engaging without indulging in rapturous...
A first introduction to the iconic civil rights activist.
“She was very little and very brave, and she always tried to do what was right.” Without many names or any dates, Kaiser traces Parks’ life and career from childhood to later fights for “fair schools, jobs, and houses for black people” as well as “voting rights, women’s rights and the rights of people in prison.” Though her refusal to change seats and the ensuing bus boycott are misleadingly presented as spontaneous acts of protest, young readers will come away with a clear picture of her worth as a role model. Though recognizable thanks to the large wire-rimmed glasses Parks sports from the outset as she marches confidently through Antelo’s stylized illustrations, she looks childlike throughout (as characteristic of this series), and her skin is unrealistically darkened to match the most common shade visible on other African-American figures. In her co-published Emmeline Pankhurst (illustrated by Ana Sanfelippo), Kaiser likewise simplistically implies that Great Britain led the way in granting universal women’s suffrage but highlights her subject’s courageous quest for justice, and Isabel Sánchez Vegara caps her profile of Audrey Hepburn (illustrated by Amaia Arrazola) with the moot but laudable claim that “helping people across the globe” (all of whom in the pictures are dark-skinned children) made Hepburn “happier than acting or dancing ever had.” All three titles end with photographs and timelines over more-detailed recaps plus at least one lead to further information.
It’s a bit sketchy of historical detail, but it’s coherent, inspirational, and engaging without indulging in rapturous flights of hyperbole. (Picture book/biography. 5-7)Pub Date: Sept. 7, 2017
ISBN: 978-1-78603-018-4
Page Count: 32
Publisher: Frances Lincoln
Review Posted Online: May 9, 2017
Kirkus Reviews Issue: June 1, 2017
BOOK REVIEW
BOOK REVIEW
With Souza’s book, this could have bookended the Obama years. But it’s more of a bookend and a paperweight.
Lucidon’s adaptation of her adult book Chasing Light (2017) for the kindergarten-to–second-grade set aims for the photographic splendor of Pete Souza’s Dream Big Dreams (2017), which celebrates what made the Obama administration both historic and extraordinary.
The author gives context for the first lady’s roles as well as the role of a White House photographer and the White House itself, including descriptions of the storied hued rooms. Within that framework, Lucidon shows Michelle Obama performing her duties inside and outside what she called “the People’s House.” However, it’s arguable that enough books exist detailing the duties and the building. What readers likely want from this book is to understand what exactly made Obama’s tenure as incredible as her husband’s. For example, the author calls Obama “Visitor-in-Chief,” but she most famously called herself “Mom-in-Chief” and validated many black mothers in a national discourse that constantly denigrates them. Considering this, it’s regrettable that the book includes relatively few photos of Obama with her family. Other missed opportunities abound, as when Lucidon fails to explain why black girls dancing under Lincoln’s portrait is significant in light of Obama’s first ladyship even as she acknowledges it is “a special moment in history.”
With Souza’s book, this could have bookended the Obama years. But it’s more of a bookend and a paperweight. (Nonfiction. 4-7)Pub Date: Oct. 23, 2018
ISBN: 978-0-525-64400-2
Page Count: 112
Publisher: Crown
Review Posted Online: Sept. 16, 2018
Kirkus Reviews Issue: Oct. 1, 2018
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