A realistic portrait of a complex romance between two mismatched but sympathetic characters.
A tempestuous love affair in 1990s Toronto.
Pugsley returns with the second in a projected series of five autobiographical novels (following Aubrey McKee, 2020) about the life and complicated loves of the titular Nova Scotia native. This entry follows its narrator, Aubrey, through the 1990s as he moves to Toronto to pursue a graduate degree in chemistry. There, he meets and falls in love with Gudrun Peel, an aspiring poet and candidate for an English Ph.D. Gudrun, an ardent feminist who thinks of herself as a “neurotic, hyperconscious girl” and feels like she’s only “pretending to be an adult,” struggles to complete her thesis and gain a foothold in the vibrant but unconventional Toronto art world. Aubrey, a “very young twentysomething” when the novel begins, and captivated as much by his lover’s eccentricities as he is by her striking beauty, strives with equal energy to penetrate the mystery of a life that’s been damaged by her abuse in the home of a “DEAD DRUNK DAD and BORN-AGAIN MOM.” But even as Aubrey believes he’s come to terms with the “emotional schizophrenia of our relations,” when Gudrun’s career takes a turn that propels her in an exciting creative direction, he finds himself ill-prepared to cope with his feelings of “respect, compassion, pride, lust, disgust, and wonder” for her in her new incarnation. Pugsley seasons this sometimes claustrophobic romance with the well-timed appearance of some colorful friends and ex-lovers. The novel is bracketed by, on the one end, a disposable short story describing an evening of partying involving Aubrey and a friend who once employed him as a writer on a short-lived sketch comedy series and, on the other, a compact three-act play that begins similarly but gradually deepens to reprise some of the novel’s themes. That minidrama brings this phase of Aubrey’s story to a close in a resonant, and mildly hopeful, fashion.
A realistic portrait of a complex romance between two mismatched but sympathetic characters.Pub Date: May 7, 2024
ISBN: 9781771965835
Page Count: 320
Publisher: Biblioasis
Review Posted Online: Feb. 3, 2024
Kirkus Reviews Issue: March 1, 2024
BOOK REVIEW
BOOK REVIEW
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
I Who Have Never Known Men ($22.00; May 1997; 224 pp.; 1-888363-43-6): In this futuristic fantasy (which is immediately reminiscent of Margaret Atwood's The Handmaid's Tale), the nameless narrator passes from her adolescent captivity among women who are kept in underground cages following some unspecified global catastrophe, to a life as, apparently, the last woman on earth. The material is stretched thin, but Harpman's eye for detail and command of tone (effectively translated from the French original) give powerful credibility to her portrayal of a human tabula rasa gradually acquiring a fragmentary comprehension of the phenomena of life and loving, and a moving plangency to her muted cri de coeur (``I am the sterile offspring of a race about which I know nothing, not even whether it has become extinct'').
Pub Date: May 1, 1997
ISBN: 1-888363-43-6
Page Count: 224
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1997
BOOK REVIEW
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