A ride worth taking, especially for comic book fans.
Segura explores the world of comic books and film in his latest thriller.
Segura’s standalone sequel to Secret Identity (2022) brings back the Lynx, a comic book character co-created by Carmen Valdez in the 1970s. Decades have passed, and the Lynx—originally published by a company called Triumph—has faded into obscurity, though she still has her admirers. Chief among them is Annie Bustamante, a comic book writer who turned to film after having become disenchanted: “Comics had chewed me up and spit me out, and at the moment I wasn’t sure I wanted to go for another twelve rounds.” But now Annie’s movie career has stalled, too, after her studio declined to release her latest, an "artsy superhero thriller" called Miss Midnight, turning it into a tax write-off instead. She's approached by Bert Carlyle, the son of Triumph’s founder, who wants her to work with Arturo Spinoza, a filmmaker, to reintroduce the Lynx across a wide range of media. Annie can’t bring herself to say no; the Lynx was a formative character for her as a young woman: “It was one of the first and few comics I could remember not only featuring a woman in the lead, but one that—at least for a brief time—was written by a woman, too. A Cuban woman like me, no less.” Things are looking up, until Annie starts to get messages saying “BE CAREFUL,” and realizes that her involvement with the Lynx might be putting her in real danger. While the novel doesn’t quite live up to the heights of Secret Identity—the dialogue here can come across as forced—Segura has lost none of his talent at building suspense. Readers will need to come with their disbelief fully suspended, but Segura is charming enough to make it work, and, as in his last book, he sticks the landing beautifully.
A ride worth taking, especially for comic book fans.Pub Date: Dec. 3, 2024
ISBN: 9781250801777
Page Count: 320
Publisher: Flatiron Books
Review Posted Online: Sept. 14, 2024
Kirkus Reviews Issue: Oct. 15, 2024
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Exciting adventure that’s worthy of the Cussler name.
The Oregon crew takes on a villain who bears a long-festering grudge.
In 1945, a captured American soldier unwillingly took part in a ghastly experiment. In the current day, a malign force has built on that research and plans to wreak unholy vengeance on Guam and, ultimately, on the United States. A mysterious, much-feared man called the Vendor, an arms purveyor whose increasingly dangerous weapons have just slaughtered soldiers in Niger, is testing his killing craft in the Indian Ocean. The Vendor’s reach extends as far as Kosovo and the Celebes Sea off the Philippines, where North Koreans try out some of his handiwork. Luckily, a modest-looking cargo ship plies the seas. It’s the Oregon, with all the internal wizardry one might wish for. It has a Cray computer, Cordon Bleu–trained chefs, and plenty of amenities to keep a top-notch crew dedicated. The seawater-powered ship can even change its outward appearance to disguise itself as the lowliest third-world rust bucket. In charge of this marvel is Juan Cabrillo, the protagonist. The crew of the Oregon are independent contractors and undertake an urgent mission from the CIA to investigate arms trafficking by the Taliban. That leads to an inevitable collision with the Vendor, whose tentacles reach far and wide. This might spell the end for Cabrillo because the Vendor “had proven himself unequaled in unarmed combat.” The Oregon Files series is always fun, and this episode is no exception. Cabrillo is a terrific leader in top physical shape, but he and the ship itself are tested to their limits. Of course, some of Oregon’s features beggar belief, but never you mind. They fit in well with the now-and-then over-the-top writing: “A giant piece of red-hot aluminum sliced through Juan’s fragile canopy like a drunken samurai’s katana through a rice-paper wall.” It’s hard to read a simile like that and not stop and smile. And in the same action sequence, the hero hits an object “like a speeding hockey forward cross-checking a parked Zamboni.” Ouch. It all “hurt like the dickens,” which is about as salty as the language gets.
Exciting adventure that’s worthy of the Cussler name.Pub Date: Sept. 3, 2024
ISBN: 9780593719244
Page Count: 416
Publisher: Putnam
Review Posted Online: Aug. 3, 2024
Kirkus Reviews Issue: Sept. 1, 2024
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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