Great storytelling braided with lively color and a culturally affirming accent makes this book a real standout.
In this modern reweaving of “Little Red Riding Hood” set on a modern, fanciful African savanna, readers meet a young, black Little Red who gracefully outwits the more-hungry-than-horrifying Lion.
The Lion imagines his “very-clever-plan” to sneak off to a spots-afflicted Auntie Rosie’s house to solve his grumbling tummy, just in time for Little Red to arrive. But of course, the perceptive Little Red instantly notices that the muumuu-clad Lion is not her Auntie Rosie. She forms her own plan to teach the naughty Lion a lesson. She heads first for the Lion’s unkempt mane with brush and comb, magically transforming it into a “lovely new look,” complete with pink bow-tie barrettes. Those pink bow ties inspire Little Red to find a much prettier dress for him to wear than the muumuu. The annoyed, fed-up Lion bellows his hunger only to be confronted with Little Red’s wagging finger as she explains in quick, calming, decisive fashion, “Well, trying to eat children and aunties is VERY naughty. If you were hungry, all you had to do was ask for some food.” They reconcile their relationship swiftly with a box of doughnuts as the tale comes to a close. Wonderful, jazzy illustrations feature brilliant oranges, yellows, and pinks underscored by vivid, playful language to add to the intrigue. Little Red is a mite with a red dress and two spectacular pigtails.
Great storytelling braided with lively color and a culturally affirming accent makes this book a real standout. (Picture book. 4-8)Pub Date: July 26, 2016
ISBN: 978-0-545-91438-3
Page Count: 32
Publisher: Scholastic
Review Posted Online: March 29, 2016
Kirkus Reviews Issue: April 15, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Visually accomplished but marred by stereotypical cultural depictions.
Ellis, known for her illustrations for Colin Meloy’s Wildwood series, here riffs on the concept of “home.”
Shifting among homes mundane and speculative, contemporary and not, Ellis begins and ends with views of her own home and a peek into her studio. She highlights palaces and mansions, but she also takes readers to animal homes and a certain famously folkloric shoe (whose iconic Old Woman manages a passel of multiethnic kids absorbed in daring games). One spread showcases “some folks” who “live on the road”; a band unloads its tour bus in front of a theater marquee. Ellis’ compelling ink and gouache paintings, in a palette of blue-grays, sepia and brick red, depict scenes ranging from mythical, underwater Atlantis to a distant moonscape. Another spread, depicting a garden and large building under connected, transparent domes, invites readers to wonder: “Who in the world lives here? / And why?” (Earth is seen as a distant blue marble.) Some of Ellis’ chosen depictions, oddly juxtaposed and stripped of any historical or cultural context due to the stylized design and spare text, become stereotypical. “Some homes are boats. / Some homes are wigwams.” A sailing ship’s crew seems poised to land near a trio of men clad in breechcloths—otherwise unidentified and unremarked upon.
Visually accomplished but marred by stereotypical cultural depictions. (Picture book. 4-8)Pub Date: Feb. 24, 2015
ISBN: 978-0-7636-6529-6
Page Count: 40
Publisher: Candlewick
Review Posted Online: Nov. 17, 2014
Kirkus Reviews Issue: Dec. 1, 2014
An invitation to wonder, imagine and look at everything (humans included) in a new way.
A young boy sees things a little differently than others.
Noah can see patterns in the dust when it sparkles in the sunlight. And if he puts his nose to the ground, he can smell the “green tang of the ants in the grass.” His most favorite thing of all, however, is to read. Noah has endless curiosity about how and why things work. Books open the door to those answers. But there is one question the books do not explain. When the wind comes whistling by, where does it go? Noah decides to find out. In a chase that has a slight element of danger—wind, after all, is unpredictable—Noah runs down streets, across bridges, near a highway, until the wind lifts him off his feet. Cowman’s gusty wisps show each stream of air turning a different jewel tone, swirling all around. The ribbons gently bring Noah home, setting him down under the same thinking tree where he began. Did it really happen? Worthington’s sensitive exploration leaves readers with their own set of questions and perhaps gratitude for all types of perspective. An author’s note mentions children on the autism spectrum but widens to include all who feel a little different.
An invitation to wonder, imagine and look at everything (humans included) in a new way. (Picture book. 4-8)Pub Date: April 14, 2015
ISBN: 978-1-60554-356-7
Page Count: 32
Publisher: Redleaf Lane
Review Posted Online: Feb. 2, 2015
Kirkus Reviews Issue: Feb. 15, 2015
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