The use of extreme trauma to further this story’s development creates an unredeemable disconnect.
Naomi Brisset, a 14-year-old white British girl in foster care, moves restlessly from home to home.
After Naomi accuses her latest foster father of being “a perv with a big prick P,” her social worker places her with a “second-generation British, West Indian” family, and Naomi begins to build familial connections with the parents, Tony and Colleen, who was also a foster child, and their two children, Pablo and Sharyna. Wheatle (Kerb-Stain Boys, 2018, etc.) has created a distasteful study in misogynoir, ableism, and homophobia. The book fast-tracks Naomi through situations where she leans into socially problematic scenarios with no apparent awareness: She begs her black foster mother to braid her hair so that she looks like Solange Knowles or Alicia Keys then is accused of cultural appropriation by a black girl who confronts her and is locked up in in-school suspension before being carted away. Wheatle's fictional Crongton leans into every negative stereotype of spaces where there are large concentrations of black communities. An opportunity to discuss issues of race in contemporary Britain is squandered when Dr. Martin Luther King Jr.’s “I Have a Dream” speech is quoted out of context, with Tony’s father being labeled racist while Naomi’s own racist commentary is not interrogated. The only queer relationship and characters in the story are demonized through violent and degrading behavior.
The use of extreme trauma to further this story’s development creates an unredeemable disconnect. (Fiction. 14-18)Pub Date: Sept. 3, 2019
ISBN: 978-1-61775-753-2
Page Count: 288
Publisher: Akashic
Review Posted Online: June 9, 2019
Kirkus Reviews Issue: July 1, 2019
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
A contemporary hero’s journey, brilliantly told.
The 17-year-old son of a troubled rock star is determined to find his own way in life and love.
On the verge of adulthood, Blade Morrison wants to leave his father’s bad-boy reputation for drug-and-alcohol–induced antics and his sister’s edgy lifestyle behind. The death of his mother 10 years ago left them all without an anchor. Named for the black superhero, Blade shares his family’s connection to music but resents the paparazzi that prevent him from having an open relationship with the girl that he loves. However, there is one secret even Blade is unaware of, and when his sister reveals the truth of his heritage during a bitter fight, Blade is stunned. When he finally gains some measure of equilibrium, he decides to investigate, embarking on a search that will lead him to a small, remote village in Ghana. Along the way, he meets people with a sense of purpose, especially Joy, a young Ghanaian who helps him despite her suspicions of Americans. This rich novel in verse is full of the music that forms its core. In addition to Alexander and co-author Hess’ skilled use of language, references to classic rock songs abound. Secondary characters add texture to the story: does his girlfriend have real feelings for Blade? Is there more to his father than his inability to stay clean and sober? At the center is Blade, fully realized and achingly real in his pain and confusion.
A contemporary hero’s journey, brilliantly told. (Verse fiction. 14-adult)Pub Date: Aug. 1, 2017
ISBN: 978-0-310-76183-9
Page Count: 464
Publisher: Blink
Review Posted Online: April 30, 2017
Kirkus Reviews Issue: May 15, 2017
PERSPECTIVES
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