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The Beslan Massacre: Myths & Facts

A remarkable testament to the power of investigative journalism in the face of lies and careless rumor.

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An investigative review of the notorious Beslan massacre that thoroughly pieces together a version of what really happened, debunking long-standing mythology along the way.

Burakov, in his journalistic debut, wanted to present the whole truth, following the evidence wherever it led. The result is a fearless examination that anatomizes every available shred of evidence and relentlessly interrogates every rumor that previously masqueraded as fact. In September 2004, armed assailants stormed a school in Beslan, North Ossetia. They planted explosives and took hundreds of hostages, many of them students. Burakov scrutinizes the nature of the terrorist organization that perpetrated the attack, then compares the roles of the local police versus the Federal Security Service of Russia and tries to discern the true cause of the catastrophic explosions that took place in the gymnasium. He grimly reveals the full extent of the casualties, which mortify the official number. Helpfully, the book provides ample background information, detailing the region’s troubled history from the 18th century through two Chechen wars and up to the present. The reasons for the current welter of misinformation regarding the Beslan massacre turn out to be as morbidly fascinating as the massacre itself: a grotesque amalgam of Russian governmental spin, contradictory witness accounts, and the bias of the Western press. In the aftermath of the debacle, rhetoric about the massacre became a craven political tool. “With the Russian government maintaining silence, the informational space related to coverage of Beslan naturally came under the control of sources in opposition to the government and to the President. The massive smear campaign resulted in unofficial alliances of parties so dissimilar in nature that it would almost be unimaginable for them to work together in any other situation.” And, he says, the battle for truth isn’t over. “Remnants of the fight have continued for years after the crisis and have shifted to social media causing the splitting of the Internet world into pro- and anti-government camps.” What emerges from Burakov’s analysis is much more than a vivid picture of one terrible event; it’s also a look at an entire region in the throes of dysfunction.

A remarkable testament to the power of investigative journalism in the face of lies and careless rumor.

Pub Date: Feb. 11, 2015

ISBN: 978-1500400965

Page Count: 420

Publisher: CreateSpace

Review Posted Online: April 9, 2015

Kirkus Reviews Issue: May 15, 2015

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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