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WASTE WARS

THE WILD AFTERLIFE OF YOUR TRASH

A fascinating and darkly revealing dive into the world’s garbage.

Uncovering a dirty business.

In the 1970s, a self-appointed “garbologist” went through the trash of famous folks like Bob Dylan and published lists of what he found, hoping to reveal dark secrets. In Charles Dickens’ novel Our Mutual Friend, a character known as the Golden Dustman amasses a fortune from rubbish—or “dust” as the Victorians called it. Clapp, a journalist based in Greece, is a literal and figurative muckraker, exploring a slew of astonishing trash-related topics. In one chapter, he focuses on the island of Chios, observing that local residents rank among the world’s “most unethical ship dismantlers.” Clapp unearths trash and waste in Turkey, Ghana, Java, and Guatemala, which, he writes, “boast[s] a bleak history as the serial target of toxic waste dumping by US cities and corporations.” Not surprisingly, the United States exports much of the world’s trash. “By the early 2000s,” Clapp writes, “America’s biggest export to China was the stuff Americans tossed away.” The European Union doesn’t come off looking too clean, either. “At least as much plastic was getting jettisoned out of the European Union, from self-congratulating environmental stewards like Germany, whose state recycling quotas were often reliant on a filthy secret: much of the plastic that Germans claimed was getting ‘recycled’ was in fact getting shipped to the far side of the world, where its true fate was far from clear.” Clapp is loath to end on a hopeful note, but he tells of Izzettin Akman, a farmer in Turkey whose oranges and lemons are threatened by tons of trash that is dumped—and set on fire—near his crops. Akman takes to pursuing the garbage trucks in his pickup—“a lonesome sheriff against a system of globe-spanning waste mismanagement,” Clapp writes. “I’ll keep following the trucks until they stop coming,” Akman says. “Or until the world stops sending them.”

A fascinating and darkly revealing dive into the world’s garbage.

Pub Date: Feb. 25, 2025

ISBN: 9780316459020

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Dec. 28, 2024

Kirkus Reviews Issue: Feb. 1, 2025

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DEAR NEW YORK

A familiar format, but a timely reminder that cities are made up of individuals, each with their own stories.

Portraits in a post-pandemic world.

After the Covid-19 lockdowns left New York City’s streets empty, many claimed that the city was “gone forever.” It was those words that inspired Stanton, whose previous collections include Humans of New York (2013), Humans of New York: Stories (2015), and Humans (2020), to return to the well once more for a new love letter to the city’s humanity and diversity. Beautifully laid out in hardcover with crisp, bright images, each portrait of a New Yorker is accompanied by sparse but potent quotes from Stanton’s interviews with his subjects. Early in the book, the author sequences three portraits—a couple laughing, then looking serious, then the woman with tears in her eyes—as they recount the arc of their relationship, transforming each emotional beat of their story into an affecting visual narrative. In another, an unhoused man sits on the street, his husky eating out of his hand. The caption: “I’m a late bloomer.” Though the pandemic isn’t mentioned often, Stanton focuses much of the book on optimistic stories of the post-pandemic era. Among the most notable profiles is Myles Smutney, founder of the Free Store Project, whose story of reclaiming boarded‑up buildings during the lockdowns speaks to the city’s resilience. In reusing the same formula from his previous books, the author confirms his thesis: New York isn’t going anywhere. As he writes in his lyrical prologue, “Just as one might dive among coral reefs to marvel at nature, one can come to New York City to marvel at humanity.” The book’s optimism paints New York as a city where diverse lives converge in moments of beauty, joy, and collective hope.

A familiar format, but a timely reminder that cities are made up of individuals, each with their own stories.

Pub Date: Oct. 7, 2025

ISBN: 9781250277589

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Aug. 1, 2025

Kirkus Reviews Issue: Sept. 1, 2025

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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