by Alexander Clapp ‧ RELEASE DATE: Feb. 25, 2025
A fascinating and darkly revealing dive into the world’s garbage.
Uncovering a dirty business.
In the 1970s, a self-appointed “garbologist” went through the trash of famous folks like Bob Dylan and published lists of what he found, hoping to reveal dark secrets. In Charles Dickens’ novel Our Mutual Friend, a character known as the Golden Dustman amasses a fortune from rubbish—or “dust” as the Victorians called it. Clapp, a journalist based in Greece, is a literal and figurative muckraker, exploring a slew of astonishing trash-related topics. In one chapter, he focuses on the island of Chios, observing that local residents rank among the world’s “most unethical ship dismantlers.” Clapp unearths trash and waste in Turkey, Ghana, Java, and Guatemala, which, he writes, “boast[s] a bleak history as the serial target of toxic waste dumping by US cities and corporations.” Not surprisingly, the United States exports much of the world’s trash. “By the early 2000s,” Clapp writes, “America’s biggest export to China was the stuff Americans tossed away.” The European Union doesn’t come off looking too clean, either. “At least as much plastic was getting jettisoned out of the European Union, from self-congratulating environmental stewards like Germany, whose state recycling quotas were often reliant on a filthy secret: much of the plastic that Germans claimed was getting ‘recycled’ was in fact getting shipped to the far side of the world, where its true fate was far from clear.” Clapp is loath to end on a hopeful note, but he tells of Izzettin Akman, a farmer in Turkey whose oranges and lemons are threatened by tons of trash that is dumped—and set on fire—near his crops. Akman takes to pursuing the garbage trucks in his pickup—“a lonesome sheriff against a system of globe-spanning waste mismanagement,” Clapp writes. “I’ll keep following the trucks until they stop coming,” Akman says. “Or until the world stops sending them.”
A fascinating and darkly revealing dive into the world’s garbage.Pub Date: Feb. 25, 2025
ISBN: 9780316459020
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Dec. 28, 2024
Kirkus Reviews Issue: Feb. 1, 2025
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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PERSPECTIVES
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
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